Jim Douglas has been relentlessly pursuing the four outlaws who murdered his wife, but finds them in jail about to be hanged. While he waits to witness their execution, they escape; and the... See full summary »
Following Napoleon's Waterloo defeat and the exile of his officers and their families from France, the U.S.Congress, in 1817, granted four townships in the Alabama territory to the exiles. ... See full summary »
An Apache warrior who defies U.S. attempts to bring the Indians under control grapples with an array of U.S. soldiers sent to subdue his revolt. Sympathetic scouts seek to bring Geronimo back to the reservation before he is hunted down. Written by
Keith Loh <email@example.com>
Blue-eyed Chuck plays Geronimo with a very straight face...
There's really nothing to distinguish GERONIMO from any standard Hollywood western about outlaws, except that this time it's a lone outlaw against the U.S. cavalry at a time when Indian treaties were being broken and the Indians wanted to fight over territorial rights. Nothing complex here, just a fictionalized account of Geronimo's love for an Indian woman who bears him a son before the fadeout and after the final battle.
Blond and blue-eyed CHUCK CONNORS isn't anyone's idea of an Indian so it's hard to tell what the casting director was thinking, but he does a commendable job of looking like one, thanks to make-up and costumes, except for the blue eyes. He makes no attempt at any sort of native accent but his stoic manner and steely-eyed gaze does help the characterization. KAMALA DEVI is good as the Indian woman who bears his child and ADAM WEST has a pivotal role as a sympathetic officer.
Nicely photographed but short on battle skirmishes, it makes passable entertainment but is hardly an outstanding western by any yardstick, dull in some stretches with a less than inspired script.
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