This pseudobiographical movie depicts five years from 1885 on in the life of the Viennese psychologist Sigmund Freud (1856-1939). At this time, most of his colleagues refuse to cure ...
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In Nazi-occupied Paris, a young accompanist named Sophie Vasseur gets a job with famed singer Irene Brice. As Irene's husband Charles, a businessman collaborating with the Nazis, wrestles ... See full summary »
Based on the real life of Dr. Marcel Petiot: During world war II Petiot, an MD living in occupied Paris, promised to help wealthy Jewish people among his patients to flee occupied France ... See full summary »
Christian de Chalonge
Based on Nikolai Gogol's story with the location changed from Russia to Italy and the time changed to the present (1952), the story is about a poor city-hall clerk (Renato Rascel) whose ... See full summary »
The life of several people whose lives revolves around a typical Montreal Guest House at the "Plateau-Mont-Royal" district. The main caracter, Symphorien, is a naive but sympathetic fellow,... See full summary »
This pseudobiographical movie depicts five years from 1885 on in the life of the Viennese psychologist Sigmund Freud (1856-1939). At this time, most of his colleagues refuse to cure hysteric patients, because they believe they're just simulating to gain attention. But Freud learns to use hypnosis to find out the reasons for the psychosis. His main patient is a young woman who refuses to drink water and is plagued repeatedly by the same nightmare. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Since ancient times there have been three great changes in man's idea of himself. Three major blows dealt us in our vanity. Before Copernicus, we thought we were the centre of the universe, that all the heavenly bodies revolved around our Earth. But the great astronomer shattered that conceit and we were forced to admit our planet is but one of many which swing around the sun, that there are other systems beyond our solar system in myriad worlds. Before Charles Darwin man believed he was a ...
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The very underrated 1962 picture "Freud" shows again why its director John Huston was a masterful biographer and adapter of the works of others. As much as a movie is able to, he captures the slightly mad, intense world of psychoanalysis using its father as his dramatic subject. In fact, the film is a perfect and popular introduction into this the most personal of sciences. The film puts me in mind of Hitchcock's "Spellbound", Bergman's "Wild Strawberries", Lynch's "The Elephant Man" and Kubrick's "Eyes Wide Shut" - all of which deal with the stuff of which nightmares are made.
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