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In the industrial North, Giovanni is a skilled factory worker offered a promotion if he'll go to Sicily for 18 months to assist in a new department. His impending absence strains his already nearly wordless relationship with Liliana, his fiancée. They meet regularly at a dance hall and sometimes go riding on his motorcycle. We watch him arrive in Sicily, walk the town, live in a hotel, find lodgings, work, and participate in local events. It's a solitary, melancholy life. In his mind's eye he thinks about Liliana. He hasn't been entirely faithful. There's pain and detachment in her eyes. Across this distance, can anything bring about a breakthrough? Do they have a future? Written by
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This was Olmi's 3rd feature and was shown briefly in New York (audiences failed to turn out even when they were giving tickets away). It's a step forward in Olmi's artistry, after the straightforward but delightful realism of "Il Posto." Olmi uses temporal devices to elaborate the circumstances of the hero's lonely life - his long engagement, his decision to take a job offer in faraway Sicily, his longing for Liliana - and succeeds brilliantly, achieving a more artful and truly poetic style. And anyone who has spent some time far away from a loved one will feel acutely Giovanni's isolation and how his feelings for Liliana become clearer and sharper as the days that separate them accumulate. I unhesitatingly recommend this beautiful little film.