IMDb > El espejo de la bruja (1962)

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Release Date:
1962 (USA) See more »
A husband murders his wife, and years later her ghost emerges from a witch's mirror to take her revenge. | Add synopsis »
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THE WITCH'S MIRROR (Chano Urueta, 1960) *** See more (12 total) »


  (in credits order)
Rosa Arenas ... Deborah (as Rosita Arenas)
Armando Calvo ... Eduardo Ramos
Isabela Corona ... Sara
Dina de Marco ... Elena
Carlos Nieto ... Gustavo
Alfredo Wally Barrón ... Inspector (as Alfredo W. Barrón)
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Directed by
Chano Urueta 
Writing credits
Alfredo Ruanova (story) &
Carlos Enrique Taboada (story) (as Carlos E. Taboada)

Alfredo Ruanova (screenplay) &
Carlos Enrique Taboada (screenplay) (as Carlos E. Taboada)

Produced by
Abel Salazar .... producer
Original Music by
Gustavo César Carrión  (as Gustavo Cesar Carreon)
Cinematography by
Jorge Stahl Jr. 
Film Editing by
Alfredo Rosas Priego 
Casting by
Guillermo Castillo 
Production Design by
Javier Torres Torija 
Set Decoration by
Dario Cabañas 
Makeup Department
María del Castillo .... makeup artist
Teresa Sánchez .... hair stylist
Production Management
José Alcalde .... production chief
Antonio Sandoval .... production manager
Second Unit Director or Assistant Director
Américo Fernández .... assistant director
Sound Department
James L. Fields .... sound supervisor
Manuel Topete .... dialogue recordist
Camera and Electrical Department
Horacio Calvillo .... lighting technician
León Sánchez .... camera operator
Editorial Department
Abraham Cruz .... synchronization editor
Music Department
Galdino R. Samperio .... music recordist (as Galdino Samperio Cruci)
Other crew
Carlos Falomir .... script supervisor
Manuel Martinez .... titles
Isaac Moreno .... delegate: actors

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Additional Details

Also Known As:
"The Witch's Mirror" - USA (dubbed version)
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75 min
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Filming Locations:

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1 out of 2 people found the following review useful.
THE WITCH'S MIRROR (Chano Urueta, 1960) ***, 13 October 2006
Author: MARIO GAUCI ( from Naxxar, Malta

This is another Mexican horror classic being given a new lease of life via Casanegra's superb SE DVD.

The plot is a mishmash of various well-proved elements (with even a nod to Poe) - a young wife is forced to live in the shadow of her husband's former bride (largely through the machinations of the latter's devoted housekeeper) as in REBECCA (1940); when the wife is horribly scarred in a fire, her doctor husband resorts to body snatching for skin graft experiments as in EYES WITHOUT A FACE (1959); the hands he gives her (unbeknownst to him, they belong to the revenge-seeking first wife he poisoned!) take on a life of their own as in MAD LOVE (1935), etc. - but which works reasonably well in the context of its essential "witchcraft vs. mad science" theme (to quote the DVD sleeve notes).

The first half is a bit slow, but the cheaply-realized yet often poetic visuals - borrowed from Cocteau and Dreyer! - keep one riveted; the latter stages are more frenetic, with several of the characters resorting to histrionics and a fair splattering of gore (leading up to a particularly busy and highly satisfying climax). The acting from all the major players is above-average for this type of film but, best of all perhaps, is Isabela Corona as the outwardly reserved but sinister and powerful witch; the two younger women also make an impression - Dina De Marco as the murdered wife who keeps turning up as a ghost to haunt her husband and her rival; Rosita Arenas as the innocent young bride who becomes the unfortunate victim in both the doctor and the witch's scheme of things (particularly effective when essaying the pathetic qualities of the bandaged-up, desperate and lonesome woman).

As was the case with THE BLACK PIT OF DR. M (1958), the Gothic/supernatural atmosphere deployed with the barest of resources through camera-work, lighting, sets and props is truly incredible...though the special effects (which get quite a heavy workout here), ultimately, leave a lot to be desired! I've purposely refrained from describing individual sequences (as I often tend to do) so as not to deny first-time viewers - as I was myself - the pleasure of discovering its considerable felicities on their own!

The supplements are similar to those of BLACK PIT: the Audio Commentary (by the same Frank Coleman) is just as interesting, but he seems to be enjoying himself a good deal here as he approaches the film with tongue-in-cheek - while retaining a justified reverence for his subject. One disappointing aspect of these DVD editions, however, is that the English-dubbed version of the films aren't included as they were released back in the day (for instance, in the Commentary it's mentioned that the narrated prologue accompanied by sketches in the Mexican original was dropped for the export version - but the DVD includes it, presumably with the 'new' lines recently looped in!).

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