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Electra (I) (1962)
"Ilektra" (original title)

 -  Drama  -  24 October 1962 (France)
7.6
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Ratings: 7.6/10 from 680 users  
Reviews: 6 user | 4 critic

Living in exile after the death of their father, the grown children of a murdered and usurped king converge to exact eye-for-an-eye revenge.

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Title: Electra (1962)

Electra (1962) on IMDb 7.6/10

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Test your knowledge of Electra.
Nominated for 1 Oscar. Another 11 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
Elektra
Giannis Fertis ...
Orestis
Aleka Katselli ...
Theano Ioannidou ...
Chorus Leader
Notis Peryalis ...
Elektra's Husband
Takis Emmanuel ...
Pylades
Fivos Razi ...
Aegisthus (as Phoebus Rhazis)
Manos Katrakis ...
The Tutor
Eleni Karpeta
Kitty Arseni
E. Chatzeemichalee
Theano Krassa
M. Mauropoulou
Elli Trygonopoulo
Diza Kountoura
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Storyline

A powerful rendering of the tragedy of Elektra by Euripides, second in a trilogy. The film begins with a summary treatment without dialogue of the action of the preceding play, The Agamemnon, in which the wicked Queen Clytemnestra and her lover Aesgisthes murder her husband Agamemnon upon his return from the Trojan War. Written by Paul Brians <brians@wsu.edu>

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Genres:

Drama

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Details

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Release Date:

24 October 1962 (France)  »

Also Known As:

Electra  »

Filming Locations:

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

First film of Elli Fotiou. See more »

Goofs

Having seconds thought about killing Klytaemnistra, Orestis proclaims a devil, not a god, must have spoken to the oracle who told him to seek vengeance. As it happens, the word "devil" comes from the Greek word diábolos which means slanderer or accuser, not the Christian or Islamic word for a supernatural enemy of humankind tempting people to commit evil deeds. See more »

Quotes

Orestis: How can I kill the one who gave me birth?
Elektra: Like she killed your father.
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Connections

Version of Ilektra (1962) See more »

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User Reviews

 
A magnificent film
1 September 2003 | by ((Sheffield, England)) – See all my reviews

I have just seen this film again via DVD after first seeing it in a cinema 40 years ago, and it remains in my view a staggering masterpiece of world cinema. It is a film that should be compulsory viewing by all aspiring film-makers since it is, unlike so many of today's movies which really are over influenced by television, so cinematic it makes one positively nostalgic for concepts like film grammar and form. Cunningly, it is almost a silent movie with a wonderful soundtrack, and the acting, (outstanding by all concerned), shows the great value of body language, and how good film editing, the use of a superb musical score, and excellent black and white cinematography can convey such powerful and poignant emotions. The play on which it is based has of course the soundest of psychological under-pinnings; guilt is an emotion and state of mind that can ONLY be experienced once one has done something horrendous enough to make it possess you. It cannot be imagined or anticipated, and, even when "rational" thought seems to justify the act, as Elektra and Orestes find to their cost, this evaporates instantly once that rage has been quenched. The final sequence of this film, after the mother has been murdered, and when these realisations manifest themselves is so overwhelming and powerful that only the hardest of heart could not be profoundly moved. But, like all good psycho-therapy, it is ultimately sanctifying, even if at the same time it is heart-breaking and almost unbearably poignant. Certainly one of the best films I have ever seen in my life, and every department deserves the highest praise and congratulations. One of the very few films to which I have awarded a 10/10 vote.


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