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Directed by | |||
| Terence Young | |||
Writing credits | ||
| Richard Maibaum | (screenplay) & | |
| Johanna Harwood | (screenplay) & | |
| Berkely Mather | (screenplay) | |
| Ian Fleming | (novel) | |
| Wolf Mankowitz | treatment (uncredited) | |
| Terence Young | uncredited | |
Produced by | |||
| Albert R. Broccoli | .... | producer (as Albert R.Broccoli) | |
| Harry Saltzman | .... | producer | |
| Stanley Sopel | .... | associate producer (uncredited) | |
Original Music by | |||
| Monty Norman | |||
| John Barry | (uncredited) | ||
Cinematography by | |||
| Ted Moore | (director of photography) | ||
Film Editing by | |||
| Peter R. Hunt | (as Peter Hunt) | ||
Casting by | |||
| James Liggat | (uncredited) | ||
Production Design by | |||
| Ken Adam | |||
Art Direction by | |||
| Syd Cain | (uncredited) | ||
Costume Design by | |||
| Tessa Prendergast | (as Tessa Welborn) | ||
Makeup Department | |||
| John O'Gorman | .... | makeup artist | |
| Eileen Warwick | .... | hair stylist | |
Production Management | |||
| L.C. Rudkin | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Clive Reed | .... | assistant director | |
| David C. Anderson | .... | second assistant director (uncredited) | |
| John Meadows | .... | third assistant director (uncredited) | |
Art Department | |||
| Freda Pearson | .... | set dresser | |
| John Chisholm | .... | prop man (uncredited) | |
| Ron Quelch | .... | production buyer (uncredited) | |
| Alan Tomkins | .... | chief draughtsman (uncredited) | |
Sound Department | |||
| John Dennis | .... | sound recordist | |
| Archie Ludski | .... | dubbing editor | |
| Wally Milner | .... | sound recordist | |
| Norman Wanstall | .... | dubbing editor | |
| Don Wortham | .... | boom operator (uncredited) | |
Special Effects by | |||
| Frank George | .... | special effects | |
Visual Effects by | |||
| Cliff Culley | .... | matte artist (uncredited) | |
| Roy Field | .... | visual effects (uncredited) | |
Stunts | |||
| Peter Brace | .... | stunts (uncredited) | |
| Gerry Crampton | .... | stunts (uncredited) | |
| Bill Cummings | .... | stunts (uncredited) | |
| Steve Emerson | .... | stunts (uncredited) | |
| Alan Gold | .... | stunts (uncredited) | |
| Arthur Howell | .... | stunts (uncredited) | |
| George Leech | .... | stunt double: Joseph Wiseman (uncredited) | |
| George Leech | .... | stunts (uncredited) | |
| Dinny Powell | .... | stunts (uncredited) | |
| Bob Simmons | .... | stunt arranger (uncredited) | |
| Bob Simmons | .... | stunt double (uncredited) | |
| Bob Simmons | .... | stunt double: Sean Connery (uncredited) | |
| Bob Simmons | .... | stunts (uncredited) | |
| Rocky Taylor | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| John Winbolt | .... | camera operator | |
| Bert Cann | .... | still photographer (uncredited) | |
| Allan Jones | .... | clapper loader (uncredited) | |
| George Pink | .... | camera operator (uncredited) | |
| John Shinerock | .... | focus puller (uncredited) | |
| Bunny Yeager | .... | still photographer: Jamaica (uncredited) | |
Animation Department | |||
| Trevor Bond | .... | animator | |
| Robert Ellis | .... | title animator (uncredited) | |
Costume and Wardrobe Department | |||
| John Brady | .... | wardrobe master (uncredited) | |
| Eileen Sullivan | .... | wardrobe mistress (uncredited) | |
Editorial Department | |||
| Ben Rayner | .... | assistant editor (as Ben Reyner) | |
| Brent Eldridge | .... | digital color correction (uncredited) | |
Music Department | |||
| Burt Rhodes | .... | orchestrator | |
| Eric Rogers | .... | conductor (as Eric Rodgers) | |
| Diana Coupland | .... | singing voice: Ursula Andress (uncredited) | |
| Vic Flick | .... | musician: guitar (uncredited) | |
| Sidney Margo | .... | music contractor (uncredited) | |
| John Scott | .... | musician: saxophone (uncredited) | |
Other crew | |||
| Maurice Binder | .... | main title designed by | |
| Albert R. Broccoli | .... | presenter (as Albert R.Broccoli) | |
| Harry Saltzman | .... | presenter | |
| Helen Whitson | .... | continuity | |
| Chris Blackwell | .... | location manager (uncredited) | |
| Len Chance | .... | accountant (uncredited) | |
| Jean Garioch | .... | unit publicist (uncredited) | |
| Roy McGregor | .... | director of publicity (uncredited) | |
| George 'Bud' Ornstein | .... | production executive: United Artists (uncredited) | |
| Bob Simmons | .... | body double: James Bond, in opening sequence (uncredited) | |
| Maureen Whitty | .... | production secretary (uncredited) | |
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| Moonraker | The Professional: Golgo 13 | Never Say Never Again | Thunderball | Captain America: The First Avenger |
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| Full cast and crew | Company credits | External reviews |
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I recently embarked on a mission of my own. To watch all the Bond films in order. Believe me, it's not as easy as it sounds. Finding all of them is nearly impossible. Blockbuster's weak collection hardly does any justice, so I ended up buying most of my favorites.
I'm sorry to say, but to me Sean Connery is the only Bond. With the single exception being Craig in "Casino Royale". When I was growing up, I did enjoy Moore's villains, but now his portrayal seems almost goofy. Moore was just an old guy in a tight suit.
Connery seems to be the only actor that understands who or what Bond is. He is a well-paid assassin. But he is not simply a murderer. Not afraid to close fist punch a woman in the face or hold the door open for her. Later actors too often forgot that Bond is supposed to be graceful yet brutish. Approachable yet cold hearted.
"I admire your courage, Miss...? Sylvia Trench: I admire your luck, Mr...? Bond. James Bond." This could well be my favorite line in cinema history. Not the often lame interpretations, but during the opening scene at the card table. It still gives me chills.
I just wish they would get back to the basics. How many explosions and car chases does a person need to see. I thought he was a spy, they went and turned him into Rambo.