| Marcello Mastroianni | ... | Ferdinando Cefalù | |
| Daniela Rocca | ... | Rosalia Cefalù | |
| Stefania Sandrelli | ... | Angela | |
| Leopoldo Trieste | ... | Carmelo Patanè | |
| Odoardo Spadaro | ... | Don Gaetano Cefalù | |
| Margherita Girelli | ... | Sisina | |
| Angela Cardile | ... | Agnese | |
| Lando Buzzanca | ... | Rosario Mulè | |
| Pietro Tordi | ... | Attorney De Marzi | |
| Ugo Torrente | ... | Don Calogero | |
| Antonio Acqua | ... | Priest | |
| Bianca Castagnetta | ... | Donna Matilde Cefalù | |
| Giovanni Fassiolo | |||
| Ignazio Roberto Daidone | |||
| Francesco Nicastro | |||
| Edy Nogara | |||
| Renato Pinciroli | |||
| Daniela Igliozzi | |||
| Laura Tomiselli | ... | Aunt Fifidda (as Laura Valerio Tomiselli) | |
| rest of cast listed alphabetically: | |||
| Saro Arcidiacono | ... | Dr. Talamone | |
| Renzo Marignano | ... | Politician | |
| Bruno Bertocci | ... | Uomo in piazza (uncredited) | |
Directed by | |||
| Pietro Germi | |||
Writing credits | ||
| Ennio De Concini | (story) & | |
| Pietro Germi | (story) & | |
| Alfredo Giannetti | (story) | |
| Ennio De Concini | (screenplay) & | |
| Pietro Germi | (screenplay) & | |
| Alfredo Giannetti | (screenplay) | |
| Agenore Incrocci | (screenplay) uncredited | |
Produced by | |||
| Franco Cristaldi | .... | producer | |
Original Music by | |||
| Carlo Rustichelli | |||
Cinematography by | |||
| Leonida Barboni | |||
| Carlo Di Palma | |||
Film Editing by | |||
| Roberto Cinquini | |||
Production Design by | |||
| Carlo Egidi | |||
Set Decoration by | |||
| Sergio Canevari | |||
Costume Design by | |||
| Dina Di Bari | |||
Makeup Department | |||
| Raffaele Cristini | .... | assistant makeup artist | |
| Anna Fabrizzi | .... | hair stylist | |
| Franco Freda | .... | makeup artist | |
Production Management | |||
| Carlo Bartolini | .... | production supervisor | |
| Guglielmo Colonna | .... | production manager | |
| Alessandro Gori | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Enzo Battaglia | .... | second assistant director | |
| Renzo Marignano | .... | assistant director | |
Art Department | |||
| Giovanni Checchi | .... | property master | |
Sound Department | |||
| Antonio Bramonti | .... | boom operator | |
| Fiorenzo Magli | .... | sound engineer | |
Camera and Electrical Department | |||
| Gianni Antinori | .... | assistant camera (as Giovanni Antinori) | |
| Divo Cavicchioli | .... | still photographer | |
| Giovanni Ciarlo | .... | assistant camera | |
| Gastone Di Giovanni | .... | camera operator | |
| Alfredo Palmieri | .... | assistant camera | |
| Aiace Parolin | .... | camera operator (as Ajace Parolin) | |
| Arturo Zavattini | .... | camera operator | |
Costume and Wardrobe Department | |||
| Elena Micheli Scardella | .... | seamstress | |
Editorial Department | |||
| Sergio Montanari | .... | assistant editor | |
| Mario Morra | .... | assistant editor | |
Music Department | |||
| Deni | .... | composer: song "Canto d'Amore" | |
| Luigi Urbini | .... | conductor (as Pierluigi Urbini) | |
Other crew | |||
| Rodolfo Frattaioli | .... | production secretary | |
| Mirta Guarnaschelli | .... | continuity (as Myrta Corbucci) | |
| Lamberto Pippia | .... | production secretary | |
| Rita Savagnone | .... | voice dubbing: Daniela Rocca | |
| Piero Speziali | .... | administrator | |
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| The Best of Youth | Cousin Bette | Ridicule | Fellini Satyricon | Kings & Queen |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Italy section |
There's a moment in Pietro Germi's Divorzio all'italiana (aka: Divorce Italian Style) that pretty much defines everything, that sort of defines what a black comedy is all about: a certain woman murders her husband because he had run away with another woman, that certain woman murdered him while he was out with his new love. And that certain woman had something similar with our main character, Marcello Mastroianni's Baron Ferdinando Cefalù, and actually after the murder she crossed path with Ferdinando. The moment that sort of defines everything is when these two, the certain woman and our main character, are together since is Mastroianni delivering a really great laugh, is Ferninando being like "" ...certainly and certainly is the way that Mastroianni delivers the scene that makes it so fantastic and hilarious.