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Divorce Italian Style (1961)
"Divorzio all'italiana" (original title)

8.2
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A married Sicilian baron falls in love with his cousin and vows to wed her, but with divorce illegal he must concoct a crime of passion to do away with his wife.

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Title: Divorce Italian Style (1961)

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Cast

Cast overview, first billed only:
...
Ferdinando Cefalù
Daniela Rocca ...
Rosalia Cefalù
...
Angela
Leopoldo Trieste ...
Carmelo Patanè
Odoardo Spadaro ...
Don Gaetano Cefalù
Margherita Girelli ...
Sisina
Angela Cardile ...
Agnese
Lando Buzzanca ...
Rosario Mulè
Pietro Tordi ...
Attorney De Marzi
Ugo Torrente ...
Don Calogero
Antonio Acqua ...
Priest
Bianca Castagnetta ...
Donna Matilde Cefalù
Giovanni Fassiolo ...
Don Ciccio Matara
Ignazio Roberto Daidone
Francesco Nicastro
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Storyline

Baron Fefé Cefalù is a Sicilian nobleman bored of life and of wife Rosalia: he falls in love with young and beautiful cousin Angela, who spends summers in the same palace. Since divorce is impossible in Italy in the 1960s, he decides to kill the wife, knowing that sentence would be very light if he proved that he committed murder for a matter of honour, i.e. when he found the wife together with another man. Therefore, he starts finding a lover for Rosalia, using Carmelo Patané, a painter well-known by her. Written by Alessio F. Bragadini <alessio@dsnet.it>

Plot Summary | Add Synopsis

Taglines:

Here is a Picture With Promise...To Love, Honor...and Oh Boy! See more »

Genres:

Comedy | Drama | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

17 September 1962 (USA)  »

Also Known As:

Divorce Italian Style  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Co. System)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The man manning the boat for Marcello Mastroianni and Stefania Sandrelli in the final scene was Giovanni Pluchino. He was a correspondent for the newspaper "La Sicilia" and at the time was reporting on the shooting of the movie for his paper. He was chosen for the bit part because he was "young, good-looking and tanned". Pluchino still remembers that for a long time he was the one who cuckolded Mastroianni. See more »

Goofs

When Ferdinando gets in bed with Rosalia after their fight, Rosalia's head facings change significantly between shots. See more »

Connections

Featured in My Voyage to Italy (2001) See more »

Soundtracks

Una furtiva lacrima
from opera "L'elisir d'amore"
Music by Gaetano Donizetti
See more »

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User Reviews

 
Actually Sicilian style
4 January 2007 | by (United States) – See all my reviews

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon.)

Divorzio all'italiana is a richly textured satire of Sicilian macho Catholic life styles starring one of Italy's greatest actors, Marcello Mastroianni. He is a bit Chaplinesque in this tongue in cheek exploration of how to dump your wife and marry your 16-year-old cousin. His wide-eyed, dead pan expressions combined with vulnerability and suave, leading-man good looks made him the heart-throb of women for decades. He plays a bored baron stuck with a baroness (played fatuously by Daniela Rocca) that he cannot abide. It should be noted that today it IS possible to get a divorce in Italy, but at the time it was very difficult, perhaps easier to get an annulment, and so we have the premise of the plot.

Stefania Sandrelli, who became one of the great ladies of the Italian cinema, plays the cousin. She was only 15 when the film was shot but could easily pass for, say, 18. She is sensual, sweet and a bit naughty. In the final scene, famous for its fitting irony, the last thing we see are her feet. I won't tell you more, but the movie is almost worth seeing just for that final scene.

Rocca's Rosalia on the other hand is more syrupy than sweet and would qualify as clinging. She could smother a lumberjack, and although it is not polite to comment unfavorably on a lady's looks, I must note that she seemed to be having a bad facial hair day, everyday. Her impersonation of a country baroness nonetheless was unforgettable. I also liked 16-year-old Margherita Girelli as Sisini, the maid. Her coquettish ways helped to lend a French bedroom farce flavor to the film.

But what really makes this one of the great monuments of the Italian cinema is the witty and delightful script by Ennio De Concini (it won an Academy Award in 1962) and the detailed, textured direction by Pietro Germi. The picture that Germi paints of life in a small Sicilian (or southern Italian, for that matter) village is picturesque, much imitated, and indelible. The crowded ornate clutter of the old estate, the sun-drenched streets and the monolithic stone and mason churches haunt our memory. True, the film starts a bit slowly and drags (at least for modern audiences) a bit at times, but don't make the mistake of giving up on this. The latter half of the film is wonderful. And remember, if you had to go to film school, Divorce Italian Style would be on the syllabus.

So see this for Mastroianni of course but also because no film education would be complete without having seen Divorzio all'italiana.

The Criterion Collection DVD includes a second disc with a documentary on Germi's career, an interview with Ennio De Concini, and screen-test footage of Stefania Sandrelli and Daniela Rocca that I just had to see. There is also a booklet with reviews of the film from Stuart Klawans, Andrew Sarris, and Martin Scorsese. Scorsese's review is adoring and nostalgic since he is from Sicily and since the film had made such a lasting impression on him as a 19-year-old. For him the film was not so much a comedy as a true reflection of a life he and his family had known. He writes, "Every detail in Divorce Italian Style is so truthful and right that all Germi had to do was heighten everything a bit to make it funny."


17 of 19 people found this review helpful.  Was this review helpful to you?

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