Divorce Italian Style
(1961)
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Divorce Italian Style
(1961)
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| Cast overview, first billed only: | |||
| Marcello Mastroianni | ... |
Ferdinando Cefalù
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Daniela Rocca | ... |
Rosalia Cefalù
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| Stefania Sandrelli | ... |
Angela
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Leopoldo Trieste | ... |
Carmelo Patanè
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Odoardo Spadaro | ... |
Don Gaetano Cefalù
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Margherita Girelli | ... |
Sisina
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Angela Cardile | ... |
Agnese
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Lando Buzzanca | ... |
Rosario Mulè
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Pietro Tordi | ... |
Attorney De Marzi
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Ugo Torrente | ... |
Don Calogero
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Antonio Acqua | ... |
Priest
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Bianca Castagnetta | ... |
Donna Matilde Cefalù
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Giovanni Fassiolo |
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Ignazio Roberto Daidone |
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Francesco Nicastro |
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Baron Fefé Cefalù is a Sicilian nobleman bored of life and of wife Rosalia: he falls in love with young and beautiful cousin Angela, who spends summers in the same palace. Since divorce is impossible in Italy in the 1960s, he decides to kill the wife, knowing that sentence would be very light if he proved that he committed murder for a matter of honour, i.e. when he found the wife together with another man. Therefore, he starts finding a lover for Rosalia, using Carmelo Patané, a painter well-known by her. Written by Alessio F. Bragadini <alessio@dsnet.it>
There's a moment in Pietro Germi's Divorzio all'italiana (aka: Divorce Italian Style) that pretty much defines everything, that sort of defines what a black comedy is all about: a certain woman murders her husband because he had run away with another woman, that certain woman murdered him while he was out with his new love. And that certain woman had something similar with our main character, Marcello Mastroianni's Baron Ferdinando Cefalù, and actually after the murder she crossed path with Ferdinando. The moment that sort of defines everything is when these two, the certain woman and our main character, are together since is Mastroianni delivering a really great laugh, is Ferninando being like "" ...certainly and certainly is the way that Mastroianni delivers the scene that makes it so fantastic and hilarious.