After killing a child on a routine bombing mission in Vietnam, Pierre suffers from delayed stress and partial amnesia. Returning to France, he lives like a vegetable until he meets a young ... See full summary »
An almost accidental romance is kindled between a German woman in her mid-sixties and a Moroccan migrant worker around twenty-five years younger. They abruptly decide to marry, appalling everyone around them.
Rainer Werner Fassbinder
El Hedi ben Salem,
Animas Trujano is a colorful but irresponsible Indian in a small Mexican village. He hopes above all things someday to be chosen mayordomio of his village, a place of great honor usually ... See full summary »
The film shows the history of the Neapolitan popular revolt against the invading Germans, during the second world war. During the four days in Naples the revolt turns over in just few hours... See full summary »
Agnes, a lonely teenage girl, and her father befriend an escaped convict, named Joseph, who arrives at their farm in Brittany, France. When Joseph develops an attraction to Agnes, her father threatens to break up the union.
After killing a child on a routine bombing mission in Vietnam, Pierre suffers from delayed stress and partial amnesia. Returning to France, he lives like a vegetable until he meets a young girl who has been dumped by her father at a boarding school. Posing as her father, Pierre contrives to meet the girl every Sunday, to play with her and perhaps recover his memory. The innocent friendship is misread by nearly everyone, even people who know Pierre well. A classic of old French art films. Written by
Molly Malloy <firstname.lastname@example.org>
When "Les Dimanches de ville d'Avray" first debuted in Manhattan, New York Times Critic Bosley Crowther hailed it as a genuine masterpiece.
New Yorkers flocked to see it, and agreed. Serge Bourguignon in only his third film work was predicted to become a major film director. Who could have predicted he would make only three more movies?
Lead actor Hardy Kruger went on to a prolific career, but talented eleven year old Patricia Gozzi retired after only a few more films.
So this film has become somewhat of an oddity: a brilliantly directed, photographed and acted drama, that has the look and feel of a timeless treasure. Yet, it stands alone without past or future--a fabulous work with nowhere to place it.
Unfortunately today, existing video prints are of poor quality; besides, it demands a big screen and pristine print to do it justice. Thus the film has virtually become a lost gem, pleading for restoration and re-release.
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