| Linda Christian | ... | Bianca Milan | |
| Robert Alda | ... | Rick Turner | |
| Ariadna Welter | ... | Donna Trent | |
| Neil Hamilton | ... | Francis 'Frank' Lamont | |
| Gere Craft | ... | Mary the Nurse | |
| Jeanne Carmen | ... | The Blonde Cultist (as Jeannie Carman) | |
| Julie Scott | ... | Cult Member | |
| Diana Spears | ... | Nurse | |
| Gertrude Astor | ... | The Elderly Cultist | |
| Bruno VeSota | ... | Lindell's Sponsor (as Bruno Ve-Sota) | |
| Dick Lee | ... | Cult Member | |
| Jim Knight | ... | Cult Member | |
| Coleen Vico | ... | Cult Member | |
| Roy Wright | ... | Doctor | |
| Romona Ravez | ... | Cult Member | |
| rest of cast listed alphabetically: | |||
| Tony Rock | ... | Cult Member (uncredited) | |
Directed by | |||
| William J. Hole Jr. | |||
Writing credits | ||
| Jo Heims | (screenplay) | |
Produced by | |||
| Alvin K. Bubis | .... | producer | |
| Dave Carney | .... | associate producer | |
| Harris Gilbert | .... | associate producer | |
| Pierre Groleau | .... | associate producer | |
| Jack Miles | .... | executive producer | |
| Nick Newberry | .... | associate producer (as Rick Newberry) | |
| Rex Carlton | .... | producer (uncredited) | |
Original Music by | |||
| Allyn Ferguson | |||
| Michael Terr | (as Mischa Terr) | ||
Cinematography by | |||
| Meredith M. Nicholson | (photography) (as Meredith Nicholson) | ||
Film Editing by | |||
| Howard Epstein | |||
Art Direction by | |||
| Sherman Loudermilk | (as Sherm Lautermilk) | ||
Makeup Department | |||
| Jack P. Pierce | .... | make up (as Jack Pierce) | |
Production Management | |||
| Jack Miles | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Bill D'Arcy | .... | second assistant director | |
| Raoul Pagel | .... | assistant director | |
Sound Department | |||
| Philip Mitchell | .... | sound recordist (as Phil Mitchel) | |
Camera and Electrical Department | |||
| Jack McCoskey | .... | camera operator | |
Costume and Wardrobe Department | |||
| Marjorie Corso | .... | wardrobe woman (as Marge Corso) | |
Music Department | |||
| Allyn Ferguson | .... | orchestrator | |
| Baker Knight | .... | composer: dance theme | |
| Michael Terr | .... | music director (as Manuel Francisco) | |
| Michael Terr | .... | orchestrator (as Mischa Terr) | |
Other crew | |||
| Steve Blauner | .... | technical advisor (as J. Steven Blauner) | |
| Carl Earn | .... | assistant to producer | |
| Rene J. Hall | .... | special arrangements (as Rene Hall) | |
| Frank Remsden | .... | script supervisor | |
| Richard Slavin | .... | technical advisor | |
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| Frankenstein Must Be Destroyed | DOA: A Coroner's Fairy Tale | Delinquent Daughters | The Possession of Joel Delaney | Black Circle Boys |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
I was introduced to this film when I stumbled across a VHS copy at a well known video retail store. At the time I was buying up and devouring as many B-movies as I could find. I think that in the same trip I purchased The Wasp Women, and Catwomen of the Moon in 3D.
The first couple of times I watched this movie, I didn't feel it was that spectacular, but I did particularly like the opening sequence theme music, a definite nod to Dave Allen and the Arrows. I was however, not able to quite pin down the plot at first because, admittedly, I fell asleep the first few times I saw it.
After several more viewings though, the film began to take on a strange, almost psychedelic feel and I realized that all of the confusion really lends itself to the themes of hypnotism and mind control in cults, which is I think the heart of the film. Whether or not this effect was obtained on purpose by the director, I can't say. It doesn't really matter. I still enjoy watching this one years later.