7.9/10
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Days of Wine and Roses (1962)

Approved | | Drama | 4 February 1963 (Brazil)
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An alcoholic marries a young woman, whom he systematically addicts to booze so they can share his "passion" together.

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(as JP Miller)
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Won 1 Oscar. Another 8 wins & 13 nominations. See more awards »

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Cast

Complete credited cast:
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...
...
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Alan Hewitt ...
Rad Leland
Tom Palmer ...
Ballefoy
Debbie Megowan ...
...
Dottie
...
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Storyline

Joe Clay is a top-notch public relations man. Anything a client wants Joe can arrange for them, whether it be dancing girls or an article in a prominent magazine. Part of the job however is drinking and Joe's ability to consume alcohol seems boundless. When he meets the very pretty Kirsten Arnasen, she prefers chocolate to alcohol but Joe has a solution to that in the form of a Brandy Alexander (made up of brandy and creme de cocoa). They eventually marry but their love is insufficient to prevent them from the downward spiral that alcohol brings to them. They try desperately to break the habit but continually relapse until only one of them manages to break free. Written by garykmcd

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This, in its own terrifying way, is a love story. See more »

Genres:

Drama

Certificate:

Approved | See all certifications »

Parents Guide:

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Details

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Release Date:

4 February 1963 (Brazil)  »

Also Known As:

Días de vino y rosas  »

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Jack Lemmon's and Lee Remick's San Francisco residence is located at 1800 Pacific Avenue between Franklin and Gough Street. See more »

Goofs

Shadow of boom mic visible on man's jacket passing on the sidewalk. See more »

Quotes

[Joe offers to reconcile with Kirsten - but only if she quits drinking]
Joe Clay: You remember how it really was? You and me and booze - a threesome. You and I were a couple of drunks on the sea of booze, and the boat sank. I got hold of something that kept me from going under, and I'm not going to let go of it. Not for you. Not for anyone. If you want to grab on, grab on. But there's just room for you and me - no threesome.
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Connections

Remake of Playhouse 90: Days of Wine and Roses (1958) See more »

Soundtracks

Rock-a-Bye Baby
(uncredited)
Music by Effie I. Canning
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Frequently Asked Questions

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User Reviews

 
The last great film about alcoholism.
4 August 1999 | by (Canberra, Australia) – See all my reviews

Actually, I think it's only the second, after "The Lost Weekend" in 1945. I apologise if there's any others I don't know about. But it's certainly true that the made-for-TV movie has ruined the genre. Today's alcoholism movies are dreary considered as movies, and offer no pleasure except indulgence of a feeling of moral superiority - which, it seems, is enough for some. It was just this dull moralising that "The Lost Weekend" and "Days of Wine and Roses" broke away from.

Forget about issue-of-the-month TV. Edwards wanted a film that was realistic AND worked as a story, and he found one.

Indeed this is his finest work. He gets great performances out of his two stars - here he was considerably more lucky than Wilder was, although there's nothing wrong with Wilder's cast. The story appears to wander but is really quite tight. Some scenes are fun; many dig into you like small knives. Perhaps there's one too many premonitions at the beginning (this is a problem Wilder didn't have, since his central character was an alcoholic at the start); and some may find that the guy from Alcoholics Anonymous near the end is a bit too good to be true. I also wish that Henry Mancini had stood firm against the temptation to write a smoozy bubblegum theme song for the opening credits. None of this matters, though. Your eyes will be on the central characters the whole time.


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