| Cornel Wilde | ... | Constantine | |
| Belinda Lee | ... | Fausta | |
| Massimo Serato | ... | Maxentius | |
| Christine Kaufmann | ... | Livia | |
| Fausto Tozzi | ... | Hadrian | |
| Tino Carraro | ... | Emperor Maximianus | |
| Carlo Ninchi | ... | Constantius Chlorus | |
| Vittorio Sanipoli | ... | Apuleius | |
| Elisa Cegani | ... | Elena | |
| rest of cast listed alphabetically: | |||
| Lia Angeleri | ... | Clavia, Christian | |
| Franco Fantasia | ... | Roman Soldier | |
| Lauro Gazzolo | ... | Amodius | |
| Nando Gazzolo | ... | Licinius | |
| Veriano Ginesi | ... | Torturer | |
| Loris Gizzi | ... | Roman Prosecutor | |
| Enrico Glori | ... | Livia's Father | |
| Jole Mauro | ... | Celi, Fausta's Maid | |
| Annibale Ninchi | ... | Galarius | |
| Carlo Tamberlani | ... | Diocletian | |
| Renato Terra | ... | Jailer | |
Directed by | |||
| Lionello De Felice | |||
Writing credits(in alphabetical order) | ||
| Michael Audley | dialogue | |
| Ennio De Concini | ||
| Lionello De Felice | ||
| Diego Fabbri | ||
| Ernesto Guida | ||
| Fulvio Palmieri | story | |
| Franco Rossetti | ||
| Guglielmo Santangelo | ||
Produced by | |||
| Ferdinand Felicioni | .... | producer | |
Original Music by | |||
| Mario Nascimbene | |||
Cinematography by | |||
| Massimo Dallamano | |||
Film Editing by | |||
| Mario Serandrei | |||
| Gabriele Varriale | |||
Art Direction by | |||
| Franco Lolli | |||
Costume Design by | |||
| Giancarlo Bartolini Salimbeni | |||
Other crew | |||
| Franco Fantasia | .... | master of arms | |
| Joseph E. Levine | .... | presenter | |
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| Ben-Hur | Cleopatra | The Inquiry | Imperium: Augustus | Quo Vadis |
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| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb Italy section |
This film must have been spectacular in its day, just like the Roman Empire. Now its saturated colors are faded, its panoramic vision compressed. Cornel Wilde is still a hunk, but an aging one, and it's hard to believe he was the educated, fluent in several languages and fussy about his roles actor from his performance here, delivering some of his lines just like John Wayne might have done. There are several hokey overview shots of Rome, which are really of the scale model version from the Museum of History of the City of Rome, but otherwise the sets, costumes and production is a lavish one. The final battle at the Milvian Bridge is endless (you know who is going to win), but thanks to this victory, Christianity directs the course of Western History.