Cleo from 5 to 7
(1962)
|
|
| 0Share... |
Cleo from 5 to 7
(1962)
|
|
| 0Share... |
| Credited cast: | |||
| Corinne Marchand | ... |
Florence, 'Cléo Victoire'
|
|
|
|
Antoine Bourseiller | ... |
Antoine
|
|
|
Dominique Davray | ... |
Angèle
|
|
|
Dorothée Blanck | ... |
Dorothée
(as Dorothée Blank)
|
| Michel Legrand | ... |
Bob, the Pianist
|
|
|
|
José Luis de Vilallonga | ... |
The Lover
|
|
|
Loye Payen | ... |
Irma, la cartomancienne
|
|
|
Renée Duchateau |
|
|
|
|
Lucienne Marchand | ... |
La conductrice du taxi
|
|
|
Serge Korber | ... |
Plumitif (the lyricist)
|
|
|
Robert Postec | ... |
Le docteur Valineau
|
| Rest of cast listed alphabetically: | |||
|
|
Arthur Brunet |
|
|
This movie shows us Cléo, a French singer, who is afraid of getting the result of of a test from her doctor. She believes that she has cancer and will die of the disease. We follow her for two hours while she cruises through the streets of Paris. At the end, she meets a soldier who is going to the war in Algeria the next day. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>
To me, this is a movie about looking on the bright side of life... from the point of view of someone who isn't. We follow Cleo, a beautiful singer, through a day of her life (from 5:00 to 7:00) as she waits to find out if she has cancer. It's a very simple plot, and I think this simplicity is what allows the film to show Cleo's inner turmoil so well. This movie has strong existential undertones. In the beginning of the film, Cleo believes her fate is just that: fate. She is superstitious to the point of paranoia. Through the course of the film, she discovers that she is in control of her own life, and even in something that seems out of her control -- like cancer -- she has the freedom to decide how she will look at it and whether or not she will let it ruin her life.