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Cape Fear (1962)

Approved | | Drama, Thriller | 12 April 1962 (USA)
A lawyer's family is stalked by a man he once helped put in jail.

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Writers:

(novel), (screenplay)
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Cast

Cast overview, first billed only:
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...
...
...
...
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Attorney Dave Grafton
...
...
Paul Comi ...
Garner
John McKee ...
Officer Marconi
Page Slattery ...
Deputy Kersek
Ward Ramsey ...
Officer Brown
...
Judge
...
Dr. Pearsall
...
Waitress
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Storyline

Small-town lawyer Sam Bowden's life becomes torturous when Max Cady re-enters his life. Cady went to jail for 8 years after Bowden testified that Cady attacked a young woman. Now that Cady has been released, he begins to terrorize Bowden and his family, particularly targeting Bowden's daughter, Nancy. Initially, Cady uses his newfound knowledge of the law (learned in prison) to annoy the Bowdens, then poisons the family dog... Who's next ? Written by Chris Holland <cholland@atlantic.net>

Plot Summary | Plot Synopsis

Taglines:

Their ordeal of terror triggers the screen's most savage war of nerves! See more »

Genres:

Drama | Thriller

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

12 April 1962 (USA)  »

Also Known As:

The Executioners  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Gregory Peck, who produced the film, didn't like the original novel's title "The Executioners". When thinking of a new title, he decided that movies named after places tended to be very successful, so he looked at a map of the U.S. until he happened upon Cape Fear in North Carolina. See more »

Goofs

For some strange reason, just after Sam shoots Cady, the shot of Cady from Sam's POV shows the branches of a bush superimposed on the bottom and left side of the frame. The tipoff is that when the camera moves the branches of the "bush" do not - they move along with the camera, as if they're glued onto the frame (which they are). See more »

Quotes

Diane Taylor: [after Cady has beaten her, she prepares to leave town] You can't help me.
Charles Sievers: But I can. Now you file an assault charge and Cady'll get six months in jail.
Diane Taylor: Six months! And after that... When he walked out of this room he said... he said to consider this only a sample. And from my limited knowledge of human nature, Max Cady isn't a man who makes idle threats.
See more »

Connections

Remade as The Force of Evil (1977) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
More than just creepy
4 August 1999 | by (Canberra, Australia) – See all my reviews

For the first time Hitchcock was decisively beaten at his own game. This is one of the tensest films ever made, and also one of the most perfectly crafted. There are so many things right about it I can afford to concentrate on just two:

(1) Sam Bowden is a firm believer in the sanctity of civil liberties until Cady starts to stalk his family - and he remains a believer even then. He is asked if he really wants the police to have the power to arrest citizens on suspicion alone; and, although his family is in danger, he cannot honestly answer yes. `Cape Fear' is clearly the product of a less bloodthirsty age. But it is the better for it: a clash between deeply held principles and deeply held desires isn't at all interesting unless it really IS a clash - unless the principles are strong enough not to give way at the first breath of wind. And damn it, Bowden is right. The police do NOT have the right to arrest Cady. The potential tragedy is genuine: not something that could be cleaned up if only so-and-so would drop a few pointless scruples.

(2) Robert Mitchum really alarms us. I think it's because his motivations are a little, but not entirely, opaque. When we first see him eyeing Bowden's teen-aged daughter, we don't know exactly what he's thinking any more than Sam does. Is he sexually attracted to her? Does he want to kill her? Rape her? Is he indifferent but just trying to get a rise out of Sam? Indeed: what, exactly, does he want to do to Sam himself? We don't know: and this uncertainty is worse than any precise knowledge.

I doubt I've said enough. `Cape Fear' is riveting from first frame to last. It's well shot, the acting is excellent, and Bernard Herrmann gives us his usual fitting score. It appeals to the intellect as much as to the pit of the stomach. Great stuff.


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