| Begoña Palacios | ... | Ines Cagliostro | |
| Erna Martha Bauman | ... | Countess Eugenia Frankenhausen | |
| Raúl Farell | ... | Dr. Riccardo Peisser | |
| Bertha Moss | ... | Frau Hildegarde | |
| Carlos Agostí | ... | Count Siegfried von Frankenhausen | |
| Pancho Córdova | ... | Justus (as Francisco A. Cordova) | |
| Antonio Raxel | ... | Count Valsamo de Cagliostro | |
| Enrique Lucero | ... | Lazaro | |
| Lupe Carriles | ... | Lupe, the innkeeper | |
| rest of cast listed alphabetically: | |||
| Nathanael León | ... | Torture Chamber Master (uncredited) | |
Directed by | |||
| Miguel Morayta | |||
Writing credits(in alphabetical order) | ||
| Miguel Morayta | story and adaptation | |
Produced by | |||
| K. Gordon Murray | .... | producer (English language version) | |
| Rafael Pérez Grovas | .... | producer | |
Original Music by | |||
| Luis Hernández Bretón | |||
Cinematography by | |||
| Raúl Martínez Solares | |||
Film Editing by | |||
| Gloria Schoemann | |||
Production Design by | |||
| Manuel Fontanals | |||
Set Decoration by | |||
| Carlos Arjona | |||
Makeup Department | |||
| Esperanza Gómez | .... | hair stylist | |
| Armando Meyer | .... | makeup artist | |
Production Management | |||
| Raúl H. Arjona M. | .... | production manager | |
| Enrique L. Morfín | .... | production chief (as Enrique Morfin) | |
Second Unit Director or Assistant Director | |||
| Américo Fernández | .... | assistant director | |
Sound Department | |||
| James L. Fields | .... | sound supervisor | |
| Jesús González Gancy | .... | dialogue recordist (as Ing. J. Gonzalez Gancy) | |
| Galdino R. Samperio | .... | sound re-recordist (as Galdino Samperio) | |
Special Effects by | |||
| Juan Muñoz Ravelo | .... | special effects | |
Camera and Electrical Department | |||
| Miguel Araña | .... | lighting technician | |
| Cirilo Rodríguez | .... | camera operator | |
Costume and Wardrobe Department | |||
| Bertha Mendoza López | .... | wardrobe (as B. Mendoza Lopez) | |
| Georgette Somohano | .... | wardrobe supervisor (as G. Somohano) | |
Editorial Department | |||
| Reynaldo P. Portillo | .... | synchronization editor | |
| Rosa Schoemann | .... | assistant editor | |
Other crew | |||
| Eduardo Mendoza | .... | titles | |
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| The Prodigal | The Mask of Fu Manchu | Los hijos de Satanás | The Invasion of the Vampires | Revenge of The Gladiators |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb Mexico section |
The impressively eerie opening scene of The Bloody Vampirea creepy black carriage being driven by a grim reaper-style character across a foggy landscape while bells toll and wolves howllays on the atmosphere thick and fast, and the splendidly spooky trappings continue unabated throughout this cheesy Mexican horror, leaving virtually no cliché left unturned. Unfortunately, despite the potential for this being a frightfully fun slice of Gothic excess, director Miguel Morayta undoes most of his good work with a terrible script that is overly convoluted when it comes to its vampiric lore and which features far too much dreary conversation.
The occasional sight of evil Count Frankenhausen turning into a giant, hairy rubber bat with over-sized ears and fangs enlivens proceedings occasionally, and Latino beauty Begoña Palacios (second wife of Sam Peckinpah, no less) is easy on the eye as plucky undercover vampire hunter Ines, adding a little spiciness by briefly stripping to her corset and big 'ol bloomers, but overall the film is a frustratingly dull affair, one that all the shadowy corridors, caverns full of cobwebs, choral music, raging thunderstorms, secret passageways, and clocks chiming midnight in the world cannot save.
3.5 out of 10, rounded up to 4 for IMDb.