A district attorney investigates the racially charged case of three teenagers accused of the murder of a blind Puerto Rican boy. He begins to discover that the facts in the case aren't ... See full summary »
In 1912, the notorious and violent prisoner Robert Franklin Stroud is transferred to the Leavenworth Prison convicted for murdering a man. When a guard cancels the visit of his mother, Elizabeth Stroud, due to a violation of the internal rules, he stabs and kills the guard and goes to trial three times. He is sentenced to be executed by the gallows, but his mother appeals to President Woodrow Wilson who commutes his sentence to life imprisonment. However, the warden, Harvey Shoemaker, decides to keep Stroud in solitary for the rest of his life. One day, Stroud finds a sparrow that has fallen from the nest in the yard and he raises the bird until it is strong enough to fly. Stroud finds a motivation for his life raising and caring for birds and becomes an expert in birds. He marries Stella Johnson and together they run a business, providing medicine developed by Stroud. But a few years after, Stroud is transferred to Alcatraz and has to leave his birds behind. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In several cell scenes the sparrow shown on the window sill has almost no tail feathers, but an instant later the sparrow in Stroud's hand has long tail feathers. Also, the "sparrow" has a beak and shape more like a finch than sparrow. Pointed out by a retired National Park Service naturalist. See more »
...during which you will see all of the man-made and natural beauties, the most spectacular bay in the world. You'll pass beneath the famous Golden Gate Bridge, considered by most authorities to be one of the most striking structures ever erected by man. From the bay, you will thrill to the magnificent San Francisco skyline. Your cruise ship, the Harbor King, will circle Alcatraz, a maximum security prison containing the most dangerous criminals in America. It has been the home of ...
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Excellent Example of a Sadly Lost Film-making Style
"Birdman of Alcatraz" depicts a fictionalized version of the life of Robert Stroud, a real prisoner who served a life sentence in various American prisons, including Alcatraz.
As other viewers have commented, the film fictionalizes the life of the real Robert Stroud, who was a murderer and who has been accused of being a pedophile, as well.
This fictionalization should not interfere with an intelligent viewer's enjoyment of a fine film.
Too, this fictionalization doesn't change the key features of Stroud's case -- a bad man, a man who is shown on screen to be a real murderer, was condemned to death by the state. That much is true from Stroud's real life story, and that much is shown in the film.
Stroud was a difficult person who did not treat other people decently. That much was true of the real Stroud and that is shown in the film.
Stroud's mother pled for his life and President Woodrow Wilson commuted his sentence to life. A warden, aware of how difficult Stroud was to control, declared that Stroud be kept in segregation. That much is true in Stroud's real life story, and that is depicted in the film.
Finally, Stroud became noteworthy for his research and writing on canaries, after he found an injured bird in the recreation yard. That much was true in Stroud's life, and that is shown in the film.
Those who argue that the film is not as accurate as it could be have a point, but the film does follow the facts outlined above.
The film is quiet, and black and white, and yet riveting.
It is an example of a kind of film-making that is sadly lost today. The film attempts a serious discussion of serious issues: the value of a man, the death penalty, the role of prisons, their wardens and guards, the possibility of human connection, even under conditions of relative isolation. Stroud makes some human contact with his guard, and with a fellow inmate he communicates with via tapping.
The film is riveting because its entire cast has a kind of star power that is hard to find today. Even given his quiet, surly performance in this black and white film, you can't take your eyes off of Burt Lancaster. The supporting cast is equally excellent.
This film is a must for anyone interested in cinematic treatments of prisons, of the death penalty, of questions of human worth, even the worth of persons who display their lack of worth in, almost, their every act, and, the kind of films of the late fifties and early sixties that provided intelligent discussions of social issues.
It's also a great movie if you just want to be entertained.
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