6.5/10
595
28 user 25 critic

Wild for Kicks (1960)

Beat Girl (original title)
Paul, a divorced architect, marries Nichole, a woman from Paris. His teen daughter Jenny has fallen in with the English beatnik scene and likes to hang out in cave-like clubs to listen to ... See full summary »

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Cast

Cast overview, first billed only:
...
Paul Linden
Noëlle Adam ...
Nichole
...
Kenny King
Gillian Hills ...
...
Dave
...
Dodo (as Shirley-Anne Field)
...
Tony
Claire Gordon ...
Honey
...
Plaid Shirt
Michael Kayne ...
Duffle Coat
Anthony Singleton ...
Green Pants
Robert Raglan ...
F.O. Official
Nade Beall ...
Official's Wife
Margot Bryant ...
Martha
...
Simon
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Storyline

Paul, a divorced architect, marries Nichole, a woman from Paris. His teen daughter Jenny has fallen in with the English beatnik scene and likes to hang out in cave-like clubs to listen to jazz and rudimentary rock'n'roll. Jenny takes an immediate dislike to her step mother, who is not that much older than she, and goes out of her way to make life miserable for Nichole. When Jenny discovers that Nichole is a friend of one of the strippers from the dance hall across the street, she investigates and uses Nichole's sordid past to embarrass her father. Meanwhile Jenny attracts the lecherous eye of Kenny, the owner of the dance hall. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Add Synopsis

Taglines:

Adam Faith gets with it! See more »

Genres:

Drama

Certificate:

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Details

Country:

Language:

Release Date:

20 October 1961 (USA)  »

Also Known As:

Wild for Kicks  »

Company Credits

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Technical Specs

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

John Barry's first musically scored film. See more »

Quotes

[last lines]
Dave: Funny, only squares know where to go.
See more »

Connections

Referenced in Rewind This! (2013) See more »

Soundtracks

Esméralda
interprété par Benny Benet
disque ou enregistrement VOGUE PARIS
See more »

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User Reviews

 
Surprisingly Frank Commentary on British Youth Rebellion
22 June 1999 | by (Vancouver, BC) – See all my reviews

Beat Girl goes where few American JD's films dare to go. It comments on the nature of revolt, the need for revolt and the reasons for revolt. In one scene, when "the gang" are hanging out in a cave-like nightclub, the kids begin to talk about their experiences during the Blitz, their disgust with their middle-class conservative parents and their boredom with everyday life. These are not the typical American "young thrill seekers" of the 50's and 60's, moralistically raised by immoral parents. These are the burnt out products of modern society, angry at a world that offers them nothing of any meaning. More shocking is the reaction the the Beat Girl's father to his new wife's past life-he is horrified, and mad at having been deceived into thinking he was marrying a "nice French girl". He has no sympathy or imagination-if she was a stripper, she must have been a tramp. His incapacity to love her unconditionally compares to the emotionless "love" he expresses for his daughter. On the whole, this is social commentary of the first degree.


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