Vic Brennan persuades his family to put up money for him to leave Dublin for the remote African town of Jebanda in order to start up a truck-hauling business. The family agrees to give Vic ... See full summary »
Epic account of the thief Barabbas, who was spared crucifixion when Pilate manipulated the crowd into to pardoning him, rather than Jesus. Struggling with his spirituality, Barabbas goes through many ordeals leading him to the gladiatorial arena, where he tries to win his freedom and confront his inner demons, ultimately becoming a follower of the man who was crucified in his place. Written by
Torvald's own net is supposedly snagged by his chariot's wheels and he is dragged to his death, yet when the chariot comes to a stop his net is tied to his chariot inside the wheel, not on the outside of the wheel where the net was snagged. See more »
[after being released from jail, Barabbas enters a tavern]
Here's a fine sight. Six weeks and nobody's moved!
See more »
How incredibly appropriate if not downright eerie that the sun should turn on a full eclipse during the filming of BARABBAS that was captured by the Technirama 70 cameras for the crucifixion scene.
Arguably the "forgotten epic" when talk of the 60's blockbusters brings inevitably mention of BEN HUR, KING OF KINGS, FALL OF THE ROMAN EMPIRE, SPARTACUS, LAWRENCE OF ARABIA, GENGHIS KHAN, CLEOPATRA, SODOM AND GOMORRAH, etc. Many see in this film an individual depth and emotion, lacking in other such works. Quinn in fact brings (despite the poetic license taken with historical confirmation) to Barabbas, a portrayal of a man tortured by his past, his reason to still be alive and his destiny. From the claustrophobic escape from the sulphur mines to his gladiatorial deeds in the arena, Barrabas is a driven man of open-ended religious conviction. He embraces Christianity but does he understand it? He saw Christ die in his place and lived his life to find out why!
Palance whose face has been his career, was the ONLY choice as Torvald the head gladiator who lives only to kill! It was one of his best ever roles.
I saw this film in London at its premiere in 1962. It received luke-warm critical reception at the time but had a successful run in the West End of some six months or so. Has had far less screening on television and cable than other epics of its ilk which is a pity as it had a lot to offer the discriminating viewer.
48 of 63 people found this review helpful.
Was this review helpful to you?