Marcellus is a tribune in the time of Christ. He is in charge of the group that is assigned to crucify Jesus. Drunk, he wins Jesus' homespun robe after the crucifixion. He is tormented by ... See full summary »
The story picks up at the point where "The Robe (1953)" ends, following the martyrdom of Diana and Marcellus. Christ's robe is conveyed to Peter for safe-keeping, but the emperor Caligula ... See full summary »
Ukrainian Archbishop Kiril Lakota is set free after two decades as a political prisoner in Siberia. He is brought to Rome by Fr. David Telemond, a troubled young priest who befriends him. ... See full summary »
Epic account of the thief Barabbas, who was spared crucifixion when Pilate manipulated the crowd into to pardoning him, rather than Jesus. Struggling with his spirituality, Barabbas goes through many ordeals leading him to the gladiatorial arena, where he tries to win his freedom and confront his inner demons, ultimately becoming a follower of the man who was crucified in his place. Written by
Anthony Quinn was appearing on Broadway in "Becket" (as King Henry II) when he was approached to appear in this film. Producer Dino De Laurentiis had to buy up his Broadway contract to secure his release from the play - something Quinn was anxious for him to do, as he greatly disliked his co-star, Laurence Olivier. After Quinn had departed, Olivier continued in the play, but took over Quinn's part instead of continuing in the title role. See more »
The knives on the wheels of Torvald's chariot appear and disappear. See more »
[Arrested for arson, Barabbas has been brought to the dungeons housing the Christians falsely accused of the act]
This burning city is no work of ours. This isn't how the new kingdom is going to be made. You were wrong.
Who are you to tell me I'm wrong?
Many years ago, we spoke together. Do you remember?
You asked me why I was making a net so far from the sea.
Jerusalem. The street of the potters.
You were as mistaken then as you are again now.
We didn't set fire to the city.
You've done the...
[...] See more »
How incredibly appropriate if not downright eerie that the sun should turn on a full eclipse during the filming of BARABBAS that was captured by the Technirama 70 cameras for the crucifixion scene.
Arguably the "forgotten epic" when talk of the 60's blockbusters brings inevitably mention of BEN HUR, KING OF KINGS, FALL OF THE ROMAN EMPIRE, SPARTACUS, LAWRENCE OF ARABIA, GENGHIS KHAN, CLEOPATRA, SODOM AND GOMORRAH, etc. Many see in this film an individual depth and emotion, lacking in other such works. Quinn in fact brings (despite the poetic license taken with historical confirmation) to Barabbas, a portrayal of a man tortured by his past, his reason to still be alive and his destiny. From the claustrophobic escape from the sulphur mines to his gladiatorial deeds in the arena, Barrabas is a driven man of open-ended religious conviction. He embraces Christianity but does he understand it? He saw Christ die in his place and lived his life to find out why!
Palance whose face has been his career, was the ONLY choice as Torvald the head gladiator who lives only to kill! It was one of his best ever roles.
I saw this film in London at its premiere in 1962. It received luke-warm critical reception at the time but had a successful run in the West End of some six months or so. Has had far less screening on television and cable than other epics of its ilk which is a pity as it had a lot to offer the discriminating viewer.
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