Marcellus is a tribune in the time of Christ. He is in charge of the group that is assigned to crucify Jesus. Drunk, he wins Jesus' homespun robe after the crucifixion. He is tormented by ... See full summary »
The story picks up at the point where "The Robe (1953)" ends, following the martyrdom of Diana and Marcellus. Christ's robe is conveyed to Peter for safe-keeping, but the emperor Caligula ... See full summary »
Epic account of the thief Barabbas, who was spared crucifixion when Pilate manipulated the crowd into to pardoning him, rather than Jesus. Struggling with his spirituality, Barabbas goes through many ordeals leading him to the gladiatorial arena, where he tries to win his freedom and confront his inner demons, ultimately becoming a follower of the man who was crucified in his place. Written by
Anthony Quinn was appearing on Broadway in "Becket" (as King Henry II) when he was approached to appear in this film. Producer Dino De Laurentiis had to buy up his Broadway contract to secure his release from the play - something Quinn was anxious for him to do, as he greatly disliked his co-star, Laurence Olivier. After Quinn had departed, Olivier continued in the play, but took over Quinn's part instead of continuing in the title role. See more »
When Barabbas is sent to the sulfur mines, a guard chains him to another prisoner by hammering closed an iron link shaped like a 'C' with both ends of the 'C' glowing red-hot. The same technique is shown at least one other time. However, it's not the ends of the 'C'-shape that should be glowing red-hot in order to hammer the link closed, it is the middle, where it needs to bend. Cold iron is brittle and needs to be heated to bend or it will fracture. See more »
[Arrested for arson, Barabbas has been brought to the dungeons housing the Christians falsely accused of the act]
This burning city is no work of ours. This isn't how the new kingdom is going to be made. You were wrong.
Who are you to tell me I'm wrong?
Many years ago, we spoke together. Do you remember?
You asked me why I was making a net so far from the sea.
Jerusalem. The street of the potters.
You were as mistaken then as you are again now.
We didn't set fire to the city.
You've done the...
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Just Where Do Some of Those Peripheral Bible Characters Go?
I've often wondered at times from a literary as well as religious point of view what happens to some of the peripheral cast of characters in the Scripture. I'm sure that's a question that more than a few have pondered on, whether they are believers or not.
Case in point is Barabbas. All we know about him is that he was the guy that the mob shouted for when offered a choice between pardoning him or Jesus of Nazareth. Some tradition has him as a common bandit, others have him as a rebel against Rome.
As played by Anthony Quinn, Barabbas is a troubled soul. As the message of Jesus of Nazareth spreads, Barabbas is unsure of what his role is. He's realized he's been a participant in something historic to say the least. But people treat him differently. The early Christians view him with some resentment. To Pontius Pilate, played by Arthur Kennedy, Barabbas is still a no good bandit. Of course Barabbas gets himself arrested again and begins his odyssey.
The movie is an adaption of a novel by Swedish Pulitzer Prize Winning writer Par Lagerkvist and a Swedish film adaption had already been filmed prior to this international cast epic. Might be interesting to view it side by side with this one. I'm sure the Swedish film didn't have half the budget this one did.
The movie fuzzes certain issues as films of this type generally do. Pacifism is a tenet of the early Christian faith of those hiding in the catacombs. Turning the other cheek is a big thing. But Anthony Quinn isn't a Christian so his modus operandi isn't exactly turning the other cheek.
Some top flight professionals are in this cast. The aforementioned Arthur Kennedy as Pilate, Silvana Mangano as Barabbas's girl friend who becomes an early convert, Vittorio Gassman as Sahek who is Barabbas's martyred Christian friend and most of all Jack Palance in a scene stealing performance as the top gladiator in Rome. You should watch this film for him alone.
The message the film tries to convey is that Barabbas in and of himself wasn't important. Jesus's life and death were pre-ordained and it could have been Barabbas or any of hundreds of others who could have been where he was.
But the way certain folks enter into biblical stories does give writers a whole lot of license to construct wholly fictional lives around them. This is as good a film as any for that purpose.
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