| Jean-Pierre Léaud | ... | Antoine Doinel (segment "Antoine et Colette") | |
| Marie-France Pisier | ... | Colette (segment "Antoine et Colette") | |
| Patrick Auffay | ... | René (segment "Antoine et Colette") | |
| Rosy Varte | ... | La mère de Colette (segment "Antoine et Colette") | |
| François Darbon | ... | Le beau-père de Colette (segment "Antoine et Colette") | |
| Jean-François Adam | ... | Albert Tazzi (segment "Antoine et Colette") | |
| Pierre Schaeffer | ... | Himself (segment "Antoine et Colette") | |
| Cristina Gaioni | ... | Christina (as Christina Gajoni) | |
| Geronimo Meynier | ... | Leonardo | |
| Eleonora Rossi Drago | ... | Valentina | |
| Nami Tamura | ... | Fukimo | |
| Koji Furuhata | ... | Hiroshi | |
| Barbara Frey | ... | Ursula | |
| Christian Doermer | ... | Tonio | |
| Vera Tschechowa | |||
| Werner Finck | |||
| Barbara Lass | ... | Basia (segment "Warszawa") | |
| Zbigniew Cybulski | ... | Zbyszek (segment "Warszawa") | |
| Wladyslaw Kowalski | ... | Wladek (segment "Warszawa") | |
| rest of cast listed alphabetically: | |||
| Damian Damiecki | ... | (segment "Warszawa") | |
| Jan Englert | ... | Kelega Basi (segment "Warszawa") | |
| Marian Opania | ... | Misiek (segment "Warszawa") | |
| Barbara Soltysik | ... | Kolezanka Basi (segment "Warszawa") | |
| Jolanta Wollejko | ... | Kolezanka Basi (segment "Warszawa") | |
| Catherine-Isabelle Duport | ... | Young girl at concert (uncredited) | |
Directed by | |||
| Shintarô Ishihara | |||
| Marcel Ophüls | |||
| Renzo Rossellini | |||
| François Truffaut | (segment "Antoine et Colette") | ||
| Andrzej Wajda | (segment "Warsaw") | ||
Writing credits(in alphabetical order) | ||
| Shintarô Ishihara | ||
| Marcel Ophüls | ||
| Renzo Rossellini | ||
| Yvon Samuel | ||
| Jerzy Stefan Stawinski | segment "Warsaw" | |
| François Truffaut | segment "Antoine et Colette" | |
Produced by | |||
| Pierre Roustang | .... | producer | |
Original Music by | |||
| Georges Delerue | (segment "Antoine et Colette") | ||
| Jerzy Matuszkiewicz | (segment "Warsaw") | ||
| Tôru Takemitsu | (segment "Japan") | ||
Cinematography by | |||
| Raoul Coutard | (segment "Antoine et Colette") | ||
| Jerzy Lipman | (segment "Warsaw") | ||
| Mario Montuori | |||
| Shigeo Murata | |||
| Wolf Wirth | |||
Film Editing by | |||
| Claudine Bouché | |||
| Halina Nawrocka | |||
Production Management | |||
| Philippe Dussart | .... | production manager | |
| Barbara Pec-Slesicka | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gérard Brach | .... | assistant director (segment "Warszawa") | |
| Andrzej Zulawski | .... | second unit director (segment "Warsaw") | |
Art Department | |||
| Jean de Baroncelli | .... | artistic adviser | |
Camera and Electrical Department | |||
| Charles L. Bitsch | .... | assistant camera | |
| Recent Posts (updated daily) | User |
|---|---|
| VERY CONFUSED RE: Antoine and Collette | mredamon |
| How can I watch the other shorts? | beardofbees |
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| Sunday Lovers | The Great Battle | Boccaccio '70 | Europe - 99euro-films 2 | Stolen Kisses |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
I have been looking for a copy of Stolen Kisses for some time, and so I was glad I finally found it--or thought I'd found it. While my sole reason for wanting to see it was to see the Truffaut segment featuring the character "Antoine Doinel", I was VERY surprised to see a DVD with ONLY this 30 minute portion from the movie on it--along with a Truffaut short, Les Mistons! What about the segments from Love At Twenty by Ophuls and the other directors? They were nowhere to be seen on the FOX/Lorber DVD! Quel dommage!
Now, in regard to the Antoine Doinel segment, I was VERY glad I saw it, as it was the most interesting and endearing I ever saw the character. Doinel appeared in several other Truffaut full-length films and this small segment was the final one I needed to see to complete them. It was lighter in tone and "cute" compared to the other incarnations--much lighter than 400 blows or the other films that have a more wistful edge to them. You see a hopeful Doinel just reaching adulthood--a decent guy--just REALLY awkward with the ladies.