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Love at Twenty (1962)
"L'amour à vingt ans" (original title)

 -  Drama | Romance  -  6 February 1963 (USA)
7.5
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Ratings: 7.5/10 from 1,287 users  
Reviews: 4 user | 13 critic

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Title: Love at Twenty (1962)

Love at Twenty (1962) on IMDb 7.5/10

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Cast

Cast overview, first billed only:
...
...
Patrick Auffay ...
René (segment "Antoine et Colette")
Rosy Varte ...
François Darbon ...
Le beau-père de Colette (segment "Antoine et Colette")
Jean-François Adam ...
Albert Tazzi (segment "Antoine et Colette")
Pierre Schaeffer ...
Himself (segment "Antoine et Colette")
Cristina Gaioni ...
Christina (as Christina Gajoni)
Geronimo Meynier ...
Leonardo
Eleonora Rossi Drago ...
Valentina
Nami Tamura ...
Fukimo
Kôji Furuhata ...
Hiroshi (as Koji Furuhata)
Barbara Frey ...
Ursula
Christian Doermer ...
Tonio
Vera Tschechowa
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Storyline

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Taglines:

The Many Ways of Young Love... See more »

Genres:

Drama | Romance

Certificate:

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Details

Country:

| | | |

Language:

| | | |

Release Date:

6 February 1963 (USA)  »

Also Known As:

Love at Twenty  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In the segment "Antoine et Colette": on the wall of Antoine's second flat there is a poster for The 400 Blows (1959), which also starred Jean-Pierre Léaud as Antoine Doinel. See more »

Connections

Referenced in Camping Cosmos (1996) See more »

Soundtracks

Air Orchestral Suite N° 3
By Johann Sebastian Bach
In the segment by Francois Truffaut
See more »

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User Reviews

 
Great
14 January 2002 | by (Sweden) – See all my reviews

This picture is worth watching just for Truffaut's terrific episode...it's too great for words. What a wonderful time that most have been back then when teenagers went to Mussorgsky recitals... not very common today, unfortunately. Anyway. Unlike American films which often show love in a artificial way, Truffaut and the other directors of the New Wave show realistic love, how it can be in real life. I love the way they film. The next episode (in Rome) is not quite as good as Truffaut's. In fact, it's real horrible. It almost ruins in otherwise a great film. The Japanese part is very good, but weird. I can't see why there must always be someone who dies in every Japanese film. The final episode in Poland is the 2nd best in the set. To conclude, I liked this movie a lot. It's the sort of film that makes you happy afterwards. And it's funny too. 5 out of 5?


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VERY CONFUSED RE: Antoine and Collette mredamon
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