Seeking revenge against the guard who tormented him, a young man returns to the island where he was imprisoned in reform school. But his plans for vengeance are disturbed when he encounters... See full summary »
Based on a true story set in pre-war Japan, a man and one of his servants begin a torrid affair. Their desire becomes a sexual obsession so strong that to intensify their ardor, they ... See full summary »
Two young brothers become the leaders of a gang of kids in their neighborhood. Their father is an office clerk who tries for advancement by playing up his boss. When the boys visit the boss... See full summary »
Impersonating an Imperial Army officer by wearing a "red lion's mane", a poor servant returns to his village after 10 years of absence to end the village's suffering caused by corrupt ... See full summary »
In 1942 British soldier Jack Celliers comes to a Japanese prison camp. The camp is run by Yonoi, who has a firm belief in discipline, honor and glory. In his view, the allied prisoners are ... See full summary »
In 1939, Sakura Nishi is a young army nurse who is sent to the field hospitals in China during the Sino-Japanese war. She has to assist the surgeon Dr. Okabe with an incredible number of ... See full summary »
In 17th century Kyoto, Osan is married to Ishun, a wealthy miserly scroll-maker. When Osan is falsely accused of having an affair with the best worker, Mohei, the pair flee the city and ... See full summary »
Two boys, whose parents ply their trade by the mouth of a muddy river in Osaka, become close friends. The two families' "businesses" are in fact dining and prostitution. When Nobou, the ... See full summary »
Nagisha Oshima directed this atypical 1962 film covering Christian persecution in Japan - and the response of the tragic hero, Shiro Amakusa. From the standpoint of filmmaking, the shots are mostly static (some several minutes, minimal camera movement), with simple black and white photography. The film shows particular care for the beleaguered Christians, who are forced into poverty (and worse) for their religion.
Obviously, the subject matter doesn't place for humor; the narrative dark and reflective, showing little hope for the characters. Oshima has always excelled at provocative filmmaking, provoking more thought than filmmaking fireworks.
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