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Hakuchu no Torima" is the portrayal of a violent rapist as seen through the recollections of his wife and one of his victims. As the film starts, Eisuke (Kei Sato) encounters Shino (Saeda ... See full summary »
In Osaka's slum, youth without futures engage in pilfering, assault and robbery, prostitution, and the buying and selling of identity cards and of blood. Alliances constantly shift. Tatsu ... See full summary »
A metaphysical mystery involving a university student's camera getting stolen, and the thief then committing suicide. Looking back upon the event, the situation comes to be questioned if it happened at all.
Nagisha Oshima directed this atypical 1962 film covering Christian persecution in Japan - and the response of the tragic hero, Shiro Amakusa. From the standpoint of filmmaking, the shots are mostly static (some several minutes, minimal camera movement), with simple black and white photography. The film shows particular care for the beleaguered Christians, who are forced into poverty (and worse) for their religion.
Obviously, the subject matter doesn't place for humor; the narrative dark and reflective, showing little hope for the characters. Oshima has always excelled at provocative filmmaking, provoking more thought than filmmaking fireworks.
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