Kiyoshi is a brooding young man who treats women solely as objects. Makoto is a young woman who is just reaching her sexual awakening. She and her friends accept car rides from middle aged ... See full summary »
In Osaka's slum, youth without futures engage in pilfering, assault and robbery, prostitution, and the buying and selling of identity cards and of blood. Alliances constantly shift. Tatsu ... See full summary »
Nagisha Oshima directed this atypical 1962 film covering Christian persecution in Japan - and the response of the tragic hero, Shiro Amakusa. From the standpoint of filmmaking, the shots are mostly static (some several minutes, minimal camera movement), with simple black and white photography. The film shows particular care for the beleaguered Christians, who are forced into poverty (and worse) for their religion.
Obviously, the subject matter doesn't place for humor; the narrative dark and reflective, showing little hope for the characters. Oshima has always excelled at provocative filmmaking, provoking more thought than filmmaking fireworks.
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