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All Fall Down (1962)

 -  Drama  -  11 April 1962 (USA)
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Ratings: 7.0/10 from 1,098 users  
Reviews: 34 user | 10 critic

Ralph and Annabell Willart are a feuding couple who are constantly bickering over their worthless, good-for nothing son Berry-Berry. When Berry-Berry begins yet another meaningless love ... See full summary »



(screenplay), (novel)
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Title: All Fall Down (1962)

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Complete credited cast:
Echo O'Brien
Annabell Willart
Clinton Willart (as Brandon de Wilde)
Constance Ford ...
Mrs. Mandel
Barbara Baxley ...
Evans Evans ...
Madame Spivy ...
Albert Paulsen ...
Captain Ramirez (as Albert Paulson)
Rest of cast listed alphabetically:
Paul Bryar ...
Manager of Sweet Shop (scenes deleted)
Robert Sorrells ...
Waiter in Sweet Shop (scenes deleted)


Ralph and Annabell Willart are a feuding couple who are constantly bickering over their worthless, good-for nothing son Berry-Berry. When Berry-Berry begins yet another meaningless love affair, this time with an older woman named Echo O'Brien, he really gets his parents at each others' throats. Written by Alfred Jingle

Plot Summary | Add Synopsis


Male enough to attract a dozen women...not man enough to be faithful to one!




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Release Date:

11 April 1962 (USA)  »

Also Known As:

All Fall Down  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
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Did You Know?


One of the two 1962's releases directed by John Frankenheimer and starring Angela Lansbury in a supporting role, with the other film being The Manchurian Candidate (1962). See more »


When Mrs. Mandel waves a $50 bill at Berry-Berry, the bill turns upside down between the long shot and the close-up. See more »


Annabell Willart: [Ralph and Clinton are barbequing, and drinking liquor. Annabell is not amused] You don't have to go making HIM a drunkard, too, Ralph.
Ralph Willart: Whom are you calling a "drunkard," madame?
Annabell Willart: [Exasperated] You never go anywhere without that bottle. You'd even take it to Church with you - if you ever WENT to Church.
Ralph Willart: If I ever went to Church, I'd HAVE to take it with me!
[laughs derisively]
See more »


Featured in Biography: Angela Lansbury: A Balancing Act (1998) See more »

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User Reviews

Stagy and a bit dated, but not without interest
27 March 2006 | by (Boulder, CO) – See all my reviews

When you get a writer like William Inge, who is a playwright by nature, to write a screenplay you get a movie like "All Fall Down" that seems like it is an adaptation of a play. The black and white photography and confined spaces provide an air of claustrophobia which is appropriate for this close examination of the Willart family. The father, Ralph (Karl Malden), is an alcoholic real estate broker who is a rather simple but decent soul; Clinton (Brandon De Wilde), the younger son, is a sensitive teenager who likes to write; Berry-Berry (Warren Beatty), the older son, is a handsome wastrel who lives off his good looks; Annabell (Angla Landsbury), is the controlling mother who obsesses over Berry-Berry and has pretty much wrecked the family. Things get off to a rather slow and awkward start, but when you throw Echo (Eva Marie Saint) into the mix, things get rocking when both sons are taken with her.

De Wilde is called upon to carry a good part of this movie. Hardly anyone is better at playing the clean-cut innocent and good natured youth ("Shane, come back!") than De Wilde, and he puts that talent to use here. I was struck by how similar De Wilde's Clinton is to Lonnie, the kid he would play opposite Paul Newman the next year in "Hud." Just as in this movie, in "Hud" he would play a young man who idolizes a more experienced relative, and ultimately comes to be totally disillusioned with him. Overall, the casting for "All Fall Down" is near perfect and the acting excellent.

I was expecting more from the Alex North ("Spartacus", "Goodfellas") score, but it is pretty much early 60s generic. The Sibelius symphony that accompanies the only romantic scene (higly scaled down by modern standards) is a bit over the top.

This movie would appear to be Inge's "Long Day's Journey into Night," but it is not nearly as powerful as the O'Neill play that was made into a brilliant movie in the same year.

I assume there is some significance, lost on me, to the fruit theme and the hyphenated "Berry-Berry." In any case, that name quickly started to bug the hell out of me.

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