Young Joan of Arc comes to the palace in France to make The Dauphin King of France and is appointed to head the French Army. After winning many battles she is not needed any longer and soon... See full summary »
Junie Moon's face has been disfigured by ill-gotten burns, and depends on her friends and her wit to cope. She, Warren, and Arthur leave the hospital - they yearn for independence - and ... See full summary »
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A woman secretly suffering from kleptomania is hypnotized in an effort to cure her condition. Soon afterwards, she is found at the scene of a murder with no memory of how she got there and seemingly no way to prove her innocence.
Two aging playboys are both after the same attractive young woman, but she fends them off by claiming that she plans to remain a virgin until her wedding night. Both men determine to find a way around her objections.
Robert Leffingwell is the president's candidate for Secretary of State. Prior to his approval, he must first go through a Senate investigation to determine if he's qualified. Leading the Senate committee is idealistic Senator Brig Anderson, who soon finds himself unprepared for the political dirt that's revealed, including Leffingwell's past affiliations with a Communist organization. When Leffingwell testifies about his political leanings, he proves his innocence. Later, however, Anderson learns that he lied under oath and even asks the president to withdraw Leffingwell for consideration, especially after the young senator begins receiving blackmail threats about a skeleton in his own closet. Written by
Daniel Bubbeo <email@example.com>
When Senator Brig Anderson (Don Murray) returns home after the black-tie party, he enters his bedroom and removes his tuxedo jacket. An undershirt is clearly visible under his dress shirt. He then goes into the bathroom and removes his tie, but having awakened his wife, comes back into the bedroom before taking off his shirt, at which point, he's no longer wearing an undershirt. See more »
[a boy is selling newspapers outside the U.S. Capitol, with the headline "Leffingwell Picked for Secretary of State"]
[to a customer]
[taking change from Danta]
Good morning, senator... thank you.
[Danta gets into a taxicab]
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The complex story, numerous characters, and sensitive themes would seem to make Allen Drury's "Advise & Consent" a challenging story to film. This is a good adaptation that succeeds in most respects, and it gets about as much out of the material as you could hope for in a couple of hours or so worth of screen time. Otto Preminger seems to have had a good appreciation for the dramatic possibilities, and the fine cast brings the main characters to life believably.
The movie version (more so than the novel) is as much or more about the practicalities of politics than it is about ideology. Some of the political issues themselves were hotly debated topics in the movie's own era, and a couple of them are still topical now, but even they are often secondary to the harsh and often unseemly realities of political power. All of the major characters have their flaws and make mistakes, yet all but a couple of them have some worthwhile characteristics. On its best level, the story is not about winning and losing so much as it is about the ways that political battles affect individual lives and personal character.
There are numerous good performances and some fine casting. Charles Laughton personifies the old-time Senator Cooley, Walter Pigeon (the spell-checker refuses to accept it spelled properly) could not have been better chosen as the Majority Leader, and Henry Fonda is perfect in a challenging role that calls for him to maintain a difficult balance. Even most of the supporting roles are filled well by fine actors like Lew Ayres, Franchot Tone, and Burgess Meredith (who uses his brief screen time very effectively, in a role that must have been quite ironic for him personally).
Naturally, some of the characters and events from the novel had to be omitted or streamlined, but there is still plenty of meat left, even once you discount the Cold War era ideological issues. The personal lives and personal agendas of the characters, the tension between their lives as individuals and their responsibilities as public servants, and the contrast between what they do and what the public sees, all give the movie some extra depth that makes it worthwhile and that gives it meaning that goes well beyond the political issues on the surface.
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