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Advise & Consent (1962)

Approved  |   |  Drama, Thriller  |  6 June 1962 (USA)
7.8
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Ratings: 7.8/10 from 4,317 users  
Reviews: 60 user | 36 critic

Senate investigation into the President's newly nominated Secretary of State, gives light to a secret from the past, which may not only ruin the candidate, but the President's character as well.

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(novel), (screenplay)
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Title: Advise & Consent (1962)

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Nominated for 1 BAFTA Film Award. Another 1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
The President
...
The Vice President
...
Robert Leffingwell
...
Senate Majority Leader
...
Senator Seabright Cooley
Don Murray ...
Senator Brigham Anderson
...
Senator Lafe Smith
...
...
Herbert Gelman
Eddie Hodges ...
Johnny Leffingwell
...
Senator Stanley Danta
George Grizzard ...
...
Ellen Anderson
Paul McGrath ...
Hardiman Fletcher
...
Senate Minority Leader
Edit

Storyline

Robert Leffingwell is the president's candidate for Secretary of State. Prior to his approval, he must first go through a Senate investigation to determine if he's qualified. Leading the Senate committee is idealistic Senator Brig Anderson, who soon finds himself unprepared for the political dirt that's revealed, including Leffingwell's past affiliations with a Communist organization. When Leffingwell testifies about his political leanings, he proves his innocence. Later, however, Anderson learns that he lied under oath and even asks the president to withdraw Leffingwell for consideration, especially after the young senator begins receiving blackmail threats about a skeleton in his own closet. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Plot Synopsis

Taglines:

Are the men and women of Washington really like this?

Genres:

Drama | Thriller

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

6 June 1962 (USA)  »

Also Known As:

Sturm über Washington  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The man who is seen turning down a drink from a passing waiter is then-U.S. Senator and future Democratic presidential candidate Henry Jackson (aka "Scoop" Jackson), who appears uncredited. At a special private preview of the film for members of Congress, the sight of Jackson refusing a drink drew gales of laughter from his colleagues. See more »

Goofs

During the roll call vote on Leffingwell's nomination, as the Majority Leader walks up to the Vice President to tell him the vote will be tied, senators can be heard responding yes or no to the nomination. Although he is not seen in the shot, the name of Senator Strickland (played by actor Will Geer) is called and a voice answers "No". But that voice is clearly not that of Geer, whose voice is heard responding immediately after when the name of Senator Sundberg is called. At that time, a voice which is unmistakably Geer's replies "Nope". See more »

Quotes

[first lines]
[a boy is selling newspapers outside the U.S. Capitol, with the headline "Leffingwell Picked for Secretary of State"]
Paperboy: [to a customer] Thank you.
Stanley Danta: Morning, son.
Paperboy: [taking change from Danta] Good morning, senator... thank you.
[Danta gets into a taxicab]
See more »

Connections

Referenced in The Contender (2000) See more »

Soundtracks

The Song from Advise and Consent
Music by Jerry Fielding
Lyrics by Ned Washington
Sung Frank Sinatra - voice on juke box
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The greatest of all American political movies
6 May 2006 | by (Derry, Ireland) – See all my reviews

Preminger's masterpiece and one of the greatest of all American films and yet critical opinion is strongly divided on this one. Some people believe that the melodramatic elements of the plot, (homosexuality, blackmail, suicide), denigrates the film's authenticity and takes away from it as drama but the characters are so beautifully drawn, (and the performances of such a uniformly high standard), that the mechanics of the plot seem startlingly real. By being overt about homosexuality in 1962 the film broke new ground, though the gay characters, briefly seen, are cringe-worthy stereotypes.

What makes the film a masterpiece is Preminger's extraordinary mise-en-scene and possibly the best use of the widescreen for dramatic effect in any American movie. By keeping some characters on the periphery of the screen while the main characters in the scene interact in the foreground Preminger creates tensions and psychological relationships between them that cutting would only dissipate.

The plot centres on a dying President's controversial nomination of a left-wing Secretary of State. On the one hand, there are consequential melodramas inherent in pushing the plot forward, (the President's nomination is opposed; the politicians play dirty), while on the other is the almost documentary-like approach Preminger applies to the political machinations that take place on the floor of the senate and in the offices, houses and hotel-rooms where the characters live and work.

It is also the most entertaining of all political movies. (filmed luminously in black-and-white by Sam Leavitt it feels like a cracking film noir). The cast are matchless and many of them did their finest work here. This is particularly true of Walter Pigeon as the Majority Leader, (he's as decent and as noble as Ghandi), Franchot Tone as the President, Don Murray as the senator who is being blackmailed, (he was never to get a better part), Lew Ayres as the invisible Vice-President and Burgess Meredith as the mentally unstable witness, (it's a great cameo). Charles Laughton, too, gave a career-defining performance as the wily old senator whose opposition is the source of everyone's troubles, (it was his last film).

George Grizzard's character and performance is a mistake. He's the villain of the piece and he's demonic; he goes around spitting fire but he's a necessary evil. And the ending doesn't ring true; it's too convenient, a cop-out even if we are on the edge of our seat. But these are minor quibbles when everything else is so extraordinarily good. The script, by Wendell Mayes, is one of the great adaptations of a book, (even if it does reduce the roles of some characters and leaves out the back-fill). Amazingly, this great film wasn't nominated for a single Oscar. It rose above the brouhaha of the Academy.


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