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13 West Street (1962)

Approved | | Crime, Drama | 6 June 1962 (USA)
An aerospace engineer (Ladd) ignores a policeman (Steiger) and hunts down a gang of juvenile delinquents.

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(screenplay), (screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
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Dolores Dorn ...
Kenneth MacKenna ...
Margaret Hayes ...
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Chris Robinson ...
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Clegg Hoyt ...
Jordan Gerler ...
Robert Cleaves ...
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Storyline

Walt Sherill is a mild-mannered space engineer who is a victim of a vicious "for kicks" assault by a teen-age gang. Increasingly obsessed by his desire for revenge, Sherill embarks on a manhunt of his own, and hampers the efforts of Detective Sergeant Pete Koleski, consequently causing some avoidable deaths. Written by Les Adams <longhorn1939@suddenlink-net>

Plot Summary | Add Synopsis

Taglines:

A STREET OF SECRET SIN..WHERE COLD MENACE LURKED AT EVERY DOOR! (original poster-all caps) See more »

Genres:

Crime | Drama

Certificate:

Approved | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

6 June 1962 (USA)  »

Also Known As:

13 East Street  »

Filming Locations:


Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Goofs

[also a character error] Walt Sherill's second attack at his home wouldn't happen if Detective Koleski's 24-hour patrol at Sherill's neighborhood were there because it's obvious the teenage group wouldn't come near the house. It's never explained why the police wasn't doing the round there, neither Walt asks the detective about what happened with his observation team and neither the detective provides any reason for the cops not staying there. See more »

Quotes

[last lines]
Walt Sherill: He's alive.
Tracey Sherill: Thank God.
Detective Sergeant Pete Koleski: Come on, take him home. Go on, take him home. Alright now, get me the kid's mother from the house, will ya?
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User Reviews

 
Unexpected little treasure
21 October 2007 | by (United States) – See all my reviews

I had fairly low expectations going into this one, but the film quickly churns into full noir-ish life as one of the last of what was to be a dying breed of movie--a psychological thriller pulling us close to the world of the always fascinating Alan Ladd as he runs head on into forces beyond his control. (I disagree that Ladd's personal problems detract from his performance at all. In fact to me the intentional darkness of the mood is simply strengthened by Ladd just as he was able to do in a dozen other gripping dramas both large and small. This is a "small" drama, to be sure, but none the less intense and intriguing.

A plot theme emerges here treated the way a great noir director of the 40's might have treated it--pathological youth violence, a real social problem often glossed over {Rebel Without A Cause, for example) or in later 1960's films glamorized and turned into the iconic images for a new generation.

But here it is--stark, vicious, mindless, and cruel just because people can get away with it. This is a brave and unflinching film and a real treat for those who appreciate the genre. Keep your expectations modest and it will surprise you quite happily!


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