Mitch's old mentor and idol Johnny Prewitt is now aged, crippled, and embittered. His one goal in life is to capture and break the wild stallion that crippled him. Mitch tries to help him do so, even...
Mitch and Andy are concerned about the erratic behavior of their fellow rodeo rider Royce Bennett. Unbeknownst to them, Royce is harboring a deadly secret, one that gravely affects him, his wife and ...
From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts and Rocky Mountains. The first treks were led by gruff, ... See full summary »
Earl Holliman and Andrew Prine were in their heyday in the early 60s when this series was showing. The plot was simple: a professional rodeo cowboy, Holliman, was shepherding his kid brother, Prine, while having various kinds of adventures along the way. The life of a rodeo cowboy was very peripatetic, as it still is, because they basically work the circuit of big shows, many of which are in large urban centers. This aspect of this career line made for a good plot line of human interest stories of the somewhat overprotective brother who keeps trying to convince his younger sibling of the value of doing something other than being a rodeo cowboy. Holliman, with his square-jawed rugged good looks, was a good counterpart to the somewhat dreamy idealistic Prine, often cast with an interesting guest actor like Slim Pickens or John Dehner. Too bad they can't write stories now like they did back then as this unremarkable little series was quite entertaining.
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