Stoney Burke is a rodeo rider who wants to win the Golden Buckle, the award to the world's champion saddle bronco rider. He didn't win it but he encountered a considerable amount of ... See full summary »
Manhattan's 87th precinct forms the backdrop for this grim and gritty police drama based on the long-running series of novels by Ed McBain. Storylines focus on neighborhood crime, and the ... See full summary »
After the death of her husband, Marian Starett takes on the arduous task of both raising a son, Joey, and protecting her farm from ruthless land baron Ryker. Nomadic gunfighter Shane ... See full summary »
Jim Redigo is foreman for the enormous Garrett Ranch owned by matriarch Lucia with her children Tal and Constance. Redigo had his hands full managing people, machines, and animals with a specific interest in the attractive Connie.
Los Angeles is where Sgt. Nick Anderson and his fellow officers work to keep the streets safe. After the arrest of the accused, attorney John Egan plans their defense while the prosecution is lead by Jerry Miller.
The Wide Country was the second of two shows with a rodeo background that came to television in 1962, the other being Stoney Burke. Maybe both could not crack that all important demographic, the young. Those that buy the products the advertisers hawk on shows.
I don't understand why neither show really made it. The rodeo does have some inherent drama within it. The quest to be champion in whatever event you compete in, the personal dangers accompanying trying to do your personal best. The Professional Bullriders do quite well with their attendance and audience today.
Earl Holliman like Jack Lord was a rider of broncos and he also was after a national championship. At the same time Earl had a younger brother Andrew Prine who wants the same life, but Holliman is discouraging it. Still Prine tags along with him, to every event where one or both have some kind of experience.
In a nutshell that was both Stoney Burke and The Wide Country. The success of films like The Lusty Men, J.W. Coop, and 8 Seconds show that rodeo does have a big screen appeal. Maybe someday, someone will capture that appeal for the small screen.
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