7 items from 2016
Ron Hogan Jul 26, 2016
This review contains spoilers.
1.9 Finish The Song
The Saint of Killers hasn't been featured very much in the first season of Preacher. He's been hinted at, he's been briefly featured in little segments, and we've seen the incident that pushes him down the path towards becoming a supernatural monster. Now, he's finally being moved from his particular slice of the cruel world to the main storyline, courtesy of two of the least-likely characters in the Preacher rogue's gallery.
This is a show that thrives on surprise, and this week's episode had two of the biggest shock moments of the entire first season. One of these involves the very same Saint, or the Cowboy, or whatever they end up calling him. We open with his vengeance; he killed 77 men at the Battle of Gettysburg, »
The San Diego Comic-Con Preacher panel has just finished up, and those in attendance were treated to a raucous live-reading of this Sunday’s new episode, as well as an exciting trailer for the season finale that’s sure to make fans of Garth Ennis and Steve Dillon’s comic series very happy indeed.
The show has been criticized by many for only loosely adapting the source material, and actually serving more as a prelude to the story that kicks off in the first issue – but from the looks of things, that’s going to be remedied by season’s end. The trailer finally shows Jesse, Cassidy and Tulip but aside their numerous differences and team-up to find God and offer him their help. Oh, and if their help isn’t wanted or appreciated, that deity has an ass-whooping coming.
In addition, we get to see the increasingly unstable Odin »
- Mark Cassidy
“The Saint” is based on Leslie Charteris’ book series, which follow the debonair Simon Templar character first introduced in the 1928 novel “Meet the Tiger,” followed by “Enter the Saint” in 1930. Templar stole from corrupt politicians and warmongers, leaving a calling card of a stick figure with a halo.
George Sanders starred in half a dozen films as “The Saint” in the late 1930s and early 1940s. Prior to his days portraying James Bond, Moore starred in a popular long-running British TV series during the 1960s.
The 1997 movie starred Kilmer and Elisabeth Shue, and was »
- Dave McNary
Burt Kwouk, the actor who played martial arts expert Cato in the original Peter Sellers "Pink Panther" films, has died at the age of 85. He "passed peacefully" according to his agent Jean Diamond, with no specific cause of death mentioned.
Born in northwest England in 1930 and raised in Shanghai, Kwouk had his first major role in 1958's "The Inn of the Sixth Happiness". He also appeared in two James Bond classics - "Goldfinger" and "You Only Live Twice" - along with the original "Rollerball" and Spielberg's "Empire of the Sun". He also had guest spots on popular 1960s shows like "The Avengers," "Secret Agent" and "The Saint" and a regular role on 1980s British sitcom "Last of the Summer Wine'.
But it's his work in a half dozen "Pink Panther" films as Cato Fong that he'll always be remembered for. The character, a manservant to Sellers' bumbling Inspector Clouseau, »
- Garth Franklin
Kwouk featured in seven “Pink Panther” pics, starting with 1964’s “A Shot in the Dark” through to “Curse of the Pink Panther” in 1983. He played Cato, which was initially spelled Kato, a martial arts specialist who regularly attacked Clouseau, played by Peter Sellers, to keep him alert.
Other movie appearances included James Bond films “Goldfinger” and “You Only Live Twice,” as well as Fred Schepisi’s “Plenty,” Steven Spielberg’s “Empire of the Sun” and Roger Spottiswoode’s “Air America.”
TV series credits included “The Avengers,” “The Saint,” “Doctor Who,” “Hart to Hart” and “Tenko,” in which he played Major Yamauchi. One of his last dramatic roles was in BBC sitcom “Last of the Summer Wine,” in which he played Entwistle from 2002 to 2010.
Kwouk received an award from Prince Charles, »
- Leo Barraclough
The icon-establishing performances Marilyn Monroe gave in Howard Hawks’ Gentlemen Prefer Blondes (1953) and in Billy Wilder’s Some Like It Hot (1959) are ones for the ages, touchstone works that endure because of the undeniable comic energy and desperation that sparked them from within even as the ravenous public became ever more enraptured by the surface of Monroe’s seductive image of beauty and glamour. Several generations now probably know her only from these films, or perhaps 1955’s The Seven-Year Itch, a more famous probably for the skirt-swirling pose it generated than anything in the movie itself, one of director Wilder’s sourest pictures, or her final completed film, The Misfits (1961), directed by John Huston, written by Arthur Miller and costarring Clark Gable and Montgomery Clift.
But in Don’t Bother to Knock (1952) she delivers a powerful dramatic performance as Nell, a psychologically devastated, delusional, perhaps psychotic young woman apparently on »
- Dennis Cozzalio
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- Press Association
7 items from 2016
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