John Steed and his new accomplices Purdey and Gambit find themselves facing new and deadly dangers in the bizarre world of espionage. Mixing fantasy with a darker edge, the trio face ... See full summary »
John Drake is a special operative for NATO, specializing in security assignments against any subversive element which threatened world peace. The series featured exotic locales from all ... See full summary »
Two years after the original "Danger Man" series concluded, it was revamped and retconned. The series returned in a longer format. (1 hour/episode instead of 30 minutes). John Drake was now... See full summary »
Jeff Randall and Marty Hopkirk are private detectives who specialize in divorce cases. Their long-running partnership seems to come to an abrupt end when Marty is killed by a hit-and-run, ... See full summary »
Craig Stirling, Sharron Macready and Richard Barrett were agents for Nemesis, an international intelligence organization based in Geneva. Their first mission as a team was to investigate ... See full summary »
An elite department within Interpol, Department S inherited those cases which the other member groups had failed to solve. The brains of the group was Jason King, a hedonistic maverick who ... See full summary »
The Saint is a modern day Robin Hood of sorts. He steals from rich criminals (gangsters and the like) and keeps the loot for himself. And he usually manages to get the rich criminals put behind bars after he's stolen their goods. Of course, Chief Inspector Claude Eustace Teal regards him as a common thief, regardless of who he steals from, so the Saint must always stay one step ahead of the doggedly persistent Inspector Teal. Fortnately, his wit, charm, and savoir faire make this a fairly easy task, and the series chronicles his various exploits. Written by
I'm 34, and watched Roger Moore as 'The Saint' shown on Cable TV by a Detroit station when I was in high school. He was cool, sophisticated, worldly (it was set all over the globe), and the shows were just plain entertaining in that classic 60's way. My father, who remembered 'The Saint' when it first aired in the early 60's, thought Roger Moore's Saint was a bit of a dandy and a 'fancy boy'. Why? I asked other men in that age group, here in The Great White North to comment, and got the same answer. A fancy, smart-guy, etc... The Saint was ahead of it's time, and the character was the first 'Metrosexual' in TV history, something that many macho head-game types of that era could not handle. Is my theory right, do some research and comment!
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