English Lord Brett Sinclair and American Danny Wilde are both wealthy playboys, they are teamed together by Judge Fullton to investigate crimes which the police can't solve. These two men ... See full summary »
John Steed and his new accomplices Purdey and Gambit find themselves facing new and deadly dangers in the bizarre world of espionage. Mixing fantasy with a darker edge, the trio face ... See full summary »
John Drake is a special operative for NATO, specializing in security assignments against any subversive element which threatened world peace. The series featured exotic locales from all ... See full summary »
Two years after the original "Danger Man" series concluded, it was revamped and retconned. The series returned in a longer format. (1 hour/episode instead of 30 minutes). John Drake was now... See full summary »
The Saint is a modern day Robin Hood of sorts. He steals from rich criminals (gangsters and the like) and keeps the loot for himself. And he usually manages to get the rich criminals put behind bars after he's stolen their goods. Of course, Chief Inspector Claude Eustace Teal regards him as a common thief, regardless of who he steals from, so the Saint must always stay one step ahead of the doggedly persistent Inspector Teal. Fortnately, his wit, charm, and savoir faire make this a fairly easy task, and the series chronicles his various exploits. Written by
The show that made Roger Moore a star and rightly so. After forty-three years no-one has matched his version of 'The Saint'. He brought warmth and charisma to the role, as well as directing episodes such as 'The House On Dragon's Rock'. He was supported by Britain's finest actors such as Julie Christie, Anthony Quayle, Sylvia Syms, Peter Wyngarde, Edward Woodward and Ronnie Barker. Who can forget the late Ivor Dean as the hapless, gum-chewing 'Inspector Teal'? The scripts were of a very high calibre, often derived from Charteris' short stories ( the later colour shows boasted original plots ) from writers such as Terry Nation, Terence Feely, Donald James and John Kruse. Leslie Charteris was impressed with Kruse, describing him as 'the real find of the operation'. Unlike later versions, this 'Saint' fitted its time period ( the '60's ) like a glove. Edwin Astley's 'Saint' theme was the cherry on the cake. The show only ended because Roger Moore wanted to move on. Had he stayed, it would have lasted well into the '70's.
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