Andrew Garfield, Mahershala Ali, Ruth Negga, and five others received their first-ever acting nominations for 2017. While these actors are new to the Academy Awards, you may recognize them from their earlier work.
Series of unrelated short stories covering elements of crime, horror, drama and comedy about people of different species committing murders, suicides, thefts and other sorts of crime caused by certain motivations; perceived or not.
Anthology series hosted by Boris Karloff that originally told ordinary tales of crime and mystery, but later became a showcase for gothic horror stories, many of which were based on works ... See full summary »
A horror anthology about a family of monsters watching a different horror story every week on their TV. Each tale is separate, often cautionary with occasional dark humor and irony and features various deadly creatures.
Pamela Dean Kelly,
Michael J. Anderson
A continuation of the dramatic anthology series hosted by the master of suspense and mystery. When the series Alfred Hitchcock Presents was revived in 1962, the name was changed, but the format stayed fairly true to the original. In each episode, viewers would be strung along with the story, never knowing which way the final twist would turn. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
Walt Disney refused to allow Alfred Hitchcock to film at Disneyland in the early 1960s because Hitchcock had made "that disgusting movie Psycho (1960)". Hitchcock's intended project is unidentified at this time, but it may have been for an episode of his TV series. See more »
Alfred Hitchock Presents ran half-hour shows, which stuck strictly to whodunits. The Alfred Hitchock hour tended more toward one-hour dramas with twist endings. As usual, each episode boasted a pageant of stars. Stories were not as tightly knit. Some episodes were laconic. This was television's last attempt at the Playhouse 90s, Alcoa/Goodyear TV Playhouses, the Loretta Young Shows and Kraft Mystery Theatres. It was the last of an age of television, which story lines lasted an entire hour, rather than being broken up into various story lines and woven subplots. Here were the the last of the great playwrights, in their eleventh hour, just before Fred Silverman turned television into tedium.
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