Series of unrelated short stories covering elements of crime, horror, drama and comedy about people of different species committing murders, suicides, thefts and other sorts of crime caused by certain motivations; perceived or not.
Anthology series hosted by Boris Karloff that originally told ordinary tales of crime and mystery, but later became a showcase for gothic horror stories, many of which were based on works ... See full summary »
An anthology comedy series featuring a line up of different celebrity guest stars appearing in anywhere from one, two, three, and four short stories or vignettes within an hour about versions of love and romance.
A continuation of the dramatic anthology series hosted by the master of suspense and mystery. When the series Alfred Hitchcock Presents was revived in 1962, the name was changed, but the format stayed fairly true to the original. In each episode, viewers would be strung along with the story, never knowing which way the final twist would turn. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
Alfred Hitchcock was one of the first people permitted to film the concentration camps in Europe in 1945, right after the Auschwitz liberation. The footage showed horrifying images of walking skeletons, people barely alive walking amongst the thousands and thousands of starved and/or bloody corpses, and large mass graves with hardly recognizable bodies being quickly tossed in. You can view piles of cut hair, personal belongings, clothing, all stripped from the inmates. Hitchcock got the genuine glance of the deadly nightmare. Most people weren't ready to see such horrific sights, and the film was not publicly shown. But only in the past couple of years has the footage been found, and finally put on display on the 70th anniversary of Auschwitz's liberation See more »
Alfred Hitchock Presents ran half-hour shows, which stuck strictly to whodunits. The Alfred Hitchock hour tended more toward one-hour dramas with twist endings. As usual, each episode boasted a pageant of stars. Stories were not as tightly knit. Some episodes were laconic. This was television's last attempt at the Playhouse 90s, Alcoa/Goodyear TV Playhouses, the Loretta Young Shows and Kraft Mystery Theatres. It was the last of an age of television, which story lines lasted an entire hour, rather than being broken up into various story lines and woven subplots. Here were the the last of the great playwrights, in their eleventh hour, just before Fred Silverman turned television into tedium.
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