In Medieval Japan, an elderly warlord retires, handing over his empire to his three sons. However, he vastly underestimates how the new-found power will corrupt them and cause them to turn on each other...and him.
An elder ronin samurai arrives at a feudal lord's home and requests an honorable place to commit suicide. But when the ronin inquires about a younger samurai who arrived before him things take an unexpected turn.
Sanjuro, a wandering samurai enters a rural town in nineteenth century Japan. After learning from the innkeeper that the town is divided between two gangsters, he plays one side off against the other. His efforts are complicated by the arrival of the wily Unosuke, the son of one of the gangsters, who owns a revolver. Unosuke has Sanjuro beaten after he reunites an abducted woman with her husband and son, then massacres his father's opponents. During the slaughter, the samurai escapes with the help of the innkeeper; but while recuperating at a nearby temple, he learns of innkeeper's abduction by Unosuke, and returns to the town to confront him. Written by
Bernard Keane <BKeane2@email.dot.gov.au>
In the initial fight scene The Samurai cuts the first two adversaries in the mid-section, then slices the last man's arm off. That last man is first seen from behind holding the sword in his right arm above his head, but the arm holding the sword shown moments later is a left arm. See more »
Let me go, father. It's my chance.
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Only a handful of directors know atmosphere the way Akira Kurosawa does, only a handful. Yojinbo opens with a tracking shot of a ronin samurai walking down a dusty road. The camera wisely stays behind the samurai, played by Toshiro Mifune, so we cannot see his face or expressions. This samurai is desperate. Mifune has no master and no money. Kurosawa doesn't let you see his desperation, instead focusing on the back of his head and his profile to set up one of the most memorable characters in cinema history. The film has been copied many times, its practically the most influential film of the modern action genre. Yojinbo isn't action packed however, Kurosawa takes his time setting up characters and plot. The fact that this masterless samurai has deep compassion for strangers is different than most modern action movies alone. Toshiro Mifune is magical in the lead role. His presence is felt all throughout the film even when he isn't on camera. All film buffs should watch this film, it is a perfect example of a director and actor with confidence in their craft.
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