Deke Rivers is a delivery man who is discovered by publicist Glenda Markle and country-western musician Tex Warner who want to promote the talented newcomer to fame and fortune, giving him ... See full summary »
West Texas in the years after the Civil War is an uneasy meeting ground of two cultures, one white. The other native American. Elvis portrays Pacer Burton. The son of a white rancher (John ... See full summary »
When he completes his military service Walter Gulick returns to his birthplace, Cream Valley, New York. He was orphaned as an infant and grew up elsewhere but always wanted to return to ... See full summary »
Charlie Rogers is a leather-jacketed biker who's fired from a singing engagement after getting into a fight with a group of college toughs. While riding his cycle to the next gig, an irate ... See full summary »
Having flunked graduation for a second time and needing cash to support his crabby (and thus unemployed) father, Danny Fisher takes a job as a singer in the King Creole nightclub - about ... See full summary »
Tulsa is a specialist in the US Army stationed in Germany. He loves to sing and has dreams to run his own nightclub when he leaves the army....but dreams don't come cheap. Tulsa places a ... See full summary »
When he finds out his boss is retiring to Arizona, a sailor has to find a way to buy the Westwind, a boat that he and his father built. He is also caught between two women: insensitive club singer Robin and sweet Laurel.
Mike and Danny fly a crop duster, but because of Danny's gambling debts, a local sheriff seizes it. Trying to earn money, they hitch-hike to the World's Fair in Seattle. While Danny tries ... See full summary »
Mike works on a boat in Acapulco. When the bratty daughter of the boat owner gets him fired, Mike must find new work. Little boy Rauol helps him get a job as a lifeguard and singer at a ... See full summary »
When the Kwimper family car runs out of gas on a new Florida highway and an officous state supervisor tries to run them off, Pop Kwimper digs in his heels and decides to do a little ... See full summary »
Glen Tyler (Elvis Presley) a down on his luck youth is sent to councilor Irene Sperry (Hope Lange) to begin battling his personal demons while under her tutelage a flair for writing emerges. Can She guide him down the right path or will her interference lead to his demise? Written by
Hope Lange and Tuesday Weld portrayed the same character, Selena Cross - Lange in "Peyton Place" (1957) and Weld in "Return To Peyton Place" (1961). See more »
Back to the house, Betty Lee. You get off this property, son, kite and all!
Betty Lee Parsons:
Daddy, don't be mad.
I'm sorry, sir, if you think that I'm...
I've not the slightest concern what you think. Get back to your folks in their wallow. You're all a lot of pigs.
Betty Lee Parsons:
Daddy, stop! If you have something to say...
Don't you answer back. You didn't come to church. Get to the house, and help your ma put dinner on. No child of mine gets taught ungodly things on the Sabbath or any other day.
If you weighed it on a ...
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Elvis Presley as a hell-raising juvenile delinquent? I don't think so. That's what `Wild in the Country' would have us believe, but in reality he's the only honest and decent male in the movie. He plays a misunderstood young man from a poor white trash background who is sent to a psychologist as part of his parole after he gets into trouble (which he often does through no real fault of his own, naturally). Hope Lange plays the `older woman,' who discovers a budding literary talent in her charge. However, according to director Philip Dunne's memoirs the part was originally offered to Simone Signoret (!). Contemplating this pairing is more exciting than anything that happens in this movie. Miss Lange gives it a good try, but she was only about 3 years older than Elvis. Signoret would have made a man out of him in no time! This was supposed to be Presley's big dramatic breakthrough in a non-singing role, but according to Dunne, the bosses at Fox insisted upon interpolating songs. The movie also suffers from the Production Code censorship of the time (no actual going to bed with Lange, thank you), and Elvis was too nice to be really bad. Considering all the strikes against it, it's surprising that `Country' is still as watchable as it is. Presley is as good as he's allowed to be, and Tuesday Weld also spices things up as the requisite `bad girl' who tempts him. Call this one a `bad movie to love.'
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