| Photos (See all 149 | slideshow) | Videos (see all 25) |
| Natalie Wood | ... | Maria | |
| Richard Beymer | ... | Tony | |
| Russ Tamblyn | ... | Riff | |
| Rita Moreno | ... | Anita | |
| George Chakiris | ... | Bernardo | |
| Simon Oakland | ... | Schrank | |
| Ned Glass | ... | Doc | |
| William Bramley | ... | Krupke | |
| Tucker Smith | ... | Ice | |
| Tony Mordente | ... | Action | |
| David Winters | ... | A-rab | |
| Eliot Feld | ... | Baby John | |
| Bert Michaels | ... | Snowboy | |
| David Bean | ... | Tiger | |
| Robert Banas | ... | Joyboy | |
| Anthony 'Scooter' Teague | ... | Big Deal (as Scooter Teague) | |
| Harvey Evans | ... | Mouthpiece (as Harvey Hohnecker) | |
| Tommy Abbott | ... | Gee-Tar | |
| Susan Oakes | ... | Anybodys | |
| Gina Trikonis | ... | Graziella | |
| Carole D'Andrea | ... | Velma | |
| Jose De Vega | ... | Chino | |
| Jay Norman | ... | Pepe | |
| Gus Trikonis | ... | Indio | |
| Eddie Verso | ... | Juano | |
| Jaime Rogers | ... | Loco | |
| Larry Roquemore | ... | Rocco | |
| Robert E. Thompson | ... | Luis (as Robert Thompson) | |
| Nick Navarro | ... | Toro (as Nick Covacevich) | |
| Rudy Del Campo | ... | Del Campo | |
| Andre Tayir | ... | Chile | |
| Yvonne Wilder | ... | Consuelo (as Yvonne Othon) | |
| Suzie Kaye | ... | Rosalia | |
| Joanne Miya | ... | Francisca | |
| rest of cast listed alphabetically: | |||
| John Astin | ... | Glad Hand (uncredited) | |
| Jimmy Bryant | ... | Tony (singing voice) (uncredited) | |
| Christopher Culkin | ... | Dancer (uncredited) | |
| Maria Henley | ... | Shark dancer Teresita (uncredited) | |
| Elaine Joyce | ... | Dancer (uncredited) | |
| Priscilla Lopez | ... | Child Extra (uncredited) | |
| Marni Nixon | ... | Maria (singing voice) (uncredited) | |
| Lou Ruggiero | ... | Police Officer #3 (uncredited) | |
| Penny Santon | ... | Madam Lucia (uncredited) | |
| Lee Theodore | ... | Dancer (uncredited) | |
| Roxanne Tunis | ... | Dancer (uncredited) | |
| Betty Wand | ... | Anita (singing voice) (uncredited) | |
Directed by | |||
| Jerome Robbins | |||
| Robert Wise | |||
Writing credits | ||
| Ernest Lehman | (screenplay) | |
| Arthur Laurents | (book) | |
| William Shakespeare | uncredited (play "Romeo and Juliet") & | |
| Jerome Robbins | play conceived by | |
Produced by | |||
| Saul Chaplin | .... | associate producer | |
| Robert Wise | .... | producer | |
| Walter Mirisch | .... | executive producer (uncredited) | |
Original Music by | |||
| Leonard Bernstein | |||
| Irwin Kostal | (uncredited) | ||
Cinematography by | |||
| Daniel L. Fapp | (director of photography) | ||
Film Editing by | |||
| Thomas Stanford | |||
Production Design by | |||
| Boris Leven | |||
Set Decoration by | |||
| Victor A. Gangelin | (as Victor Gangelin) | ||
Costume Design by | |||
| Irene Sharaff | |||
Makeup Department | |||
| Emile LaVigne | .... | makeup artist (as Emile La Vigne) | |
| Alice Monte | .... | hairdresser | |
Production Management | |||
| Allen K. Wood | .... | production manager | |
| Hubert Fröhlich | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Robert E. Relyea | .... | assistant director | |
| Jerome M. Siegel | .... | second assistant director | |
Art Department | |||
| Sam Gordon | .... | property | |
| Maurice Zuberano | .... | production artist (as M. Zuberano) | |
| Leon Harris | .... | production illustrator (uncredited) | |
| William Maldonado | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Fred Lau | .... | sound | |
| Gilbert D. Marchant | .... | sound editor | |
| Murray Spivack | .... | sound | |
| Vinton Vernon | .... | sound | |
| Richard Gramaglia | .... | sound mixer (uncredited) | |
| Fred Hynes | .... | sound recording supervisor (uncredited) | |
| Gordon Sawyer | .... | sound supervisor (uncredited) | |
Visual Effects by | |||
| Saul Bass | .... | visual consultant | |
| Linwood G. Dunn | .... | photographic effects (as Linwood Dunn) | |
Stunts | |||
| Eli Bo Jack Blackfeather | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Linwood G. Dunn | .... | title photographer (uncredited) | |
| John Finger | .... | camera operator: title sequence (uncredited) | |
| Ernst Haas | .... | still photographer (uncredited) | |
| Louis Kulsey | .... | dolly grip: title sequence (uncredited) | |
Costume and Wardrobe Department | |||
| Bert Henrikson | .... | wardrobe | |
Editorial Department | |||
| Marshall M. Borden | .... | assistant editor | |
Music Department | |||
| Richard Carruth | .... | music editor | |
| Saul Chaplin | .... | music supervisor | |
| Johnny Green | .... | conductor | |
| Johnny Green | .... | music supervisor | |
| Irwin Kostal | .... | music supervisor | |
| Irwin Kostal | .... | orchestrator | |
| Sid Ramin | .... | music supervisor | |
| Sid Ramin | .... | orchestrator | |
| Stephen Sondheim | .... | lyrics by | |
| Robert Tucker | .... | vocal coach (as Bobby Tucker) | |
| Betty Walberg | .... | musical assistant | |
| Pete Candoli | .... | musician (uncredited) | |
| Jack Dumont | .... | musician (uncredited) | |
| Walter A. Gest | .... | production music playback operator (uncredited) | |
| Shelly Manne | .... | musician (uncredited) | |
| Red Mitchell | .... | musician (uncredited) | |
| Uan Rasey | .... | musician: trumpet soloist (uncredited) | |
| Albert T. Viola | .... | musician (uncredited) | |
Other crew | |||
| Tommy Abbott | .... | dance assistant | |
| Margaret Banks | .... | dance assistant | |
| Saul Bass | .... | titles | |
| Robert E. Griffith | .... | producer: stage-play | |
| Howard Jeffrey | .... | dance assistant | |
| Tony Mordente | .... | dance assistant | |
| Harold Prince | .... | producer: stage-play (as Harold S. Prince) | |
| Jerome Robbins | .... | choreographer | |
| Jerome Robbins | .... | choreographer: stage production | |
| Jerome Robbins | .... | director: stage play | |
| Stanley Scheuer | .... | script supervisor (as Stanley K. Scheuer) | |
| Roger L. Stevens | .... | produced by arrangement with | |
| Hal Bell | .... | assistant choreographer (uncredited) | |
| John Flynn | .... | script supervisor (uncredited) | |
| Gerald Freedman | .... | assistant: Mr. Robbins (uncredited) | |
| Peter Gennaro | .... | co-choreographer (uncredited) | |
| Eliot Hyman | .... | production executive (uncredited) | |
| Howard Jeffrey | .... | assistant choreographer: Mr. Robbins (uncredited) | |
| George Lake | .... | assistant stage manager: stage production (uncredited) | |
| Harold Mirisch | .... | production executive (uncredited) | |
| Marvin Mirisch | .... | production executive (uncredited) | |
| Howard Newman | .... | press representative (uncredited) | |
| Arthur Rubin | .... | assistant stage manager: stage production (uncredited) | |
| Wallace Siebert | .... | assistant: Mr. Gennaro (uncredited) | |
| Ray Stark | .... | production executive (uncredited) | |
| Lee Theodore | .... | assistant choreographer (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
WestSide Story is an American icon, that reveals how today's world became global, that every modern democratic country of the Earth has every different culture mixed to live together in peace. So as you might guess WestSide Story is one socio-political movie that symbolizes post-modernism. This masterpiece also reveals the most frightening question that non-Americans -and undemocratic- keep in their mind, but afraid to ask: "What if America has never been existed?" Once you watched WestSide Story, you'll realize how post-modernism changed the world, that racism and vendetta are no longer conceptual.
As a matter of art, WestSide Story combines a walloping score with exuberant choreography and spectacular screenplay to create a transcendent fusion of Realism and Fantasy, that will forever be a feast for the eye, the ear, and ultimately the heart. As a matter of movie concepts, the story line has the perfect progress beginning with the introduction of the two confrontational 1950s' New York city gangs, continuing with the love occurring between a girl from an immigrant group and a boy from a fanatical nationalist group, ending with the death of the gang leaders and the lover boy. When the story begins to progress, it becomes more and more fascinating through focusing of the lovers struggling to come together. There we admire successful acting of Rita Moreno(supporting actress), Susan Oakes and George Chakiris.
9 out of 10.