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West Side Story (1961)

Unrated | | Crime, Drama, Musical | 23 December 1961 (Japan)
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Two youngsters from rival New York City gangs fall in love, but tensions between their respective friends build toward tragedy.

Writers:

(screenplay), (book) | 1 more credit »
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Popularity
245 ( 1,477)
Won 10 Oscars. Another 18 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Doc
William Bramley ...
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Ice
Tony Mordente ...
...
Eliot Feld ...
Bert Michaels ...
David Bean ...
Tiger
Robert Banas ...
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Storyline

West Side Story is the award-winning adaptation of the classic romantic tragedy, "Romeo and Juliet". The feuding families become two warring New York City gangs- the white Jets led by Riff and the Puerto Rican Sharks, led by Bernardo. Their hatred escalates to a point where neither can coexist with any form of understanding. But when Riff's best friend (and former Jet) Tony and Bernardo's younger sister Maria meet at a dance, no one can do anything to stop their love. Maria and Tony begin meeting in secret, planning to run away. Then the Sharks and Jets plan a rumble under the highway - whoever wins gains control of the streets. Maria sends Tony to stop it, hoping it can end the violence. It goes terribly wrong, and before the lovers know what's happened, tragedy strikes and doesn't stop until the climactic and heartbreaking ending. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Watch this shot now. Hey. Shoot, man. Go. Hey, yeah. See more »


Certificate:

Unrated | See all certifications »

Parents Guide:

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Details

Country:

Language:

|

Release Date:

23 December 1961 (Japan)  »

Also Known As:

Amor sin barreras  »

Box Office

Budget:

$6,000,000 (estimated)

Gross:

$43,650,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(35 mm magnetic prints)| (Westrex Recording System) (70 mm prints)| (35 mm optical prints)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
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Did You Know?

Trivia

Director Robert Wise hired New York gang members to control crowds on location, and fought to shoot on location in New York City. See more »

Goofs

When Doc says, "What are you doing there?" after stopping the Jets from taunting Anita in the drugstore, his lips actually mouth, "What are you doing now?" which was the line in the original stage script. See more »

Quotes

[first lines]
[the Jets dance across the streets of New York, eventually coming to a playground where they toss around a basketball. The ball is intercepted by Bernardo, leader of the Sharks]
Riff: [snaps fingers at Bernardo] Come on.
[Bernardo drops the ball, Riff picks it up]
Riff: Beat it.
See more »

Crazy Credits

There are no opening credits; a red tinted aerial still of Manhattan with the title is shown as the overture plays. As the overture ends, the red tint is removed and the shot segues to aerial photography of Manhattan streets and landmarks. See more »

Connections

Referenced in Keeping the Faith (2000) See more »

Soundtracks

Cool
(1957) (uncredited)
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
Performed by Tucker Smith
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A 70-millimeter delight.
15 February 2005 | by (Washington, DC) – See all my reviews

I remember when this film ran on NBC television about 25 years ago. After being beefed up with commercials, it had to be shown in 2 parts over two nights. I only saw it in the theater once when I was about 12, and had forgotten many visuals which were cut off on the television screen. So let me just say that the smartest thing MGM-UA could do is present a widescreen, 70mm DVD. It has a gorgeous restored picture (important for visual effects like the dissolve of Natalie Wood spinning around in the bridal shop which blurs and multiplies and finally erupts into multiple dancers who converge at the gym, or the first time Tony and Maria see each other against the blur of the dance competition on opposite sides of the screen) and pristine sound- probably the most gorgeous score ever composed by Leonard Bernstein. There are, of course, stage purists who scoff at the movie (and its many ghost singers), but I always thought the film's adaptation was superior to the stage show because it gave the story a more breathless, one-act pace. Some songs are reshuffled and re-staged from the original libretto, and the background score is given something of a theatrical makeover. And the dancing, of course, is peerless-- whether it's the "Cool" dance with the Jets in a low-ceiling garage, the "America" battle of the sexes with the Sharks, or even the delicate rooftop dance performed in Act 2 by Natalie Wood- bewitching in a white dress and re-living the moment she first fell in love herself. None of these wonders can prepare you for the mind-numbing, emotional, climax.

A tour-de-force film show, clocking in at 152 minutes.


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