In eighteenth century England, "first cousins" Tom Jones and Master Blifil grew up together in privilege in the western countryside, but could not be more different in nature. Tom, the ... See full summary »
Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of ... See full summary »
James L. Brooks
West Side Story is the award-winning adaptation of the classic romantic tragedy, "Romeo and Juliet". The feuding families become two warring New York City gangs- the white Jets led by Riff and the Puerto Rican Sharks, led by Bernardo. Their hatred escalates to a point where neither can coexist with any form of understanding. But when Riff's best friend (and former Jet) Tony and Bernardo's younger sister Maria meet at a dance, no one can do anything to stop their love. Maria and Tony begin meeting in secret, planning to run away. Then the Sharks and Jets plan a rumble under the highway - whoever wins gains control of the streets. Maria sends Tony to stop it, hoping it can end the violence. It goes terribly wrong, and before the lovers know what's happened, tragedy strikes and doesn't stop until the climactic and heartbreaking ending. Written by
At the beginning of the movie, behind the first close-up of Riff on the playground, snapping his fingers, you can see a young boy riding his bike behind Riff, the boy wasn't there in the previous shot (from above). See more »
[the Jets dance across the streets of New York, eventually coming to a playground where they toss around a basketball. The ball is intercepted by Bernardo, leader of the Sharks]
[snaps fingers at Bernardo]
[Bernardo drops the ball, Riff picks it up]
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The credits at the end of the movie appear as graffiti on street signs. See more »
Note the opening credits. I use the term "credits" loosely, because there aren't any. There's just a reddish orangish title card which changes colour ever so slowly while they play the overture. Now THAT takes courage. Obviously Wise was certain that Bernstein's music provides so much interest on its own that it would have been redundant to do anything but play it. And he was right. Bernstein simply wrote better music than any other Broadway composer of his day - much better music - and whether or not "West Side Story" contains his very best music, it's his very best musical. It would take a special effort to make a bad movie out of it.
In fact Wise handles things very well. We get the same silent sweep over New York that he later gave us over Austria in "The Sound of Music" - the sweep that says, "I'm going to show you New York" (or Austria, as the case may be). The filming and the colours are stark and intentionally artificial: it does feel as if we are being shown a city. Performances are all fine.
Of course, most of what makes this film great was already present in the musical. But what's wrong with that? Surely Wise shouldn't HAVE to spin straw into gold. A wise man - sorry - just accepts it with good grace when he is handed gold to begin with.
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