West Side Story is the award-winning adaptation of the classic romantic tragedy, "Romeo and Juliet". The feuding families become two warring New York City gangs- the white Jets led by Riff and the Puerto Rican Sharks, led by Bernardo. Their hatred escalates to a point where neither can coexist with any form of understanding. But when Riff's best friend (and former Jet) Tony and Bernardo's younger sister Maria meet at a dance, no one can do anything to stop their love. Maria and Tony begin meeting in secret, planning to run away. Then the Sharks and Jets plan a rumble under the highway - whoever wins gains control of the streets. Maria sends Tony to stop it, hoping it can end the violence. It goes terribly wrong, and before the lovers know what's happened, tragedy strikes and doesn't stop until the climactic and heartbreaking ending. Written by
In 2010, Stephen Sondheim (who wrote the lyrics) told "Fresh Air" interviewer Terry Gross that while he was writing the stage musical, he originally wanted the show to be the first one in Broadway history to use the words "fuck" and "shit" in its song lyrics. He wanted the end of the song "Gee, Officer Krupke" to be "Gee, Officer Krupke/Fuck you!" (instead of what it became, which is "Gee, Officer Krupke/Krup you!"), and he wanted the lyrics in "The Jets Song" to be "When you're a Jet/If the shit hits the fan" instead of "When you're a Jet/If the spit hits the fan". However, the show's writers were informed that if the Original Cast Album contained those profanities, it would have been illegal to ship the record across state lines. So Sondheim made the substitutions for those words that appear in both the stage show and the movie. See more »
The length of Riff's cigarette in the lead up to the Jets song/dance. It starts out short and stubby, and just before they start singing and he flicks it away, it is much longer. See more »
[the Jets dance across the streets of New York, eventually coming to a playground where they toss around a basketball. The ball is intercepted by Bernardo, leader of the Sharks]
[snaps fingers at Bernardo]
[Bernardo drops the ball, Riff picks it up]
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The credits at the end of the movie appear as graffiti on street signs. See more »
Note the opening credits. I use the term "credits" loosely, because there aren't any. There's just a reddish orangish title card which changes colour ever so slowly while they play the overture. Now THAT takes courage. Obviously Wise was certain that Bernstein's music provides so much interest on its own that it would have been redundant to do anything but play it. And he was right. Bernstein simply wrote better music than any other Broadway composer of his day - much better music - and whether or not "West Side Story" contains his very best music, it's his very best musical. It would take a special effort to make a bad movie out of it.
In fact Wise handles things very well. We get the same silent sweep over New York that he later gave us over Austria in "The Sound of Music" - the sweep that says, "I'm going to show you New York" (or Austria, as the case may be). The filming and the colours are stark and intentionally artificial: it does feel as if we are being shown a city. Performances are all fine.
Of course, most of what makes this film great was already present in the musical. But what's wrong with that? Surely Wise shouldn't HAVE to spin straw into gold. A wise man - sorry - just accepts it with good grace when he is handed gold to begin with.
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