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Failed pilot for a show that was meant to replace Star Trek after it got canceled. In the future, humans and humanoid amphibians live in cities beneath the sea. Matthews and the crew of his sub Titan must save their city from a saboteur.
Admiral Nelson takes a brand new atomic submarine through its paces. When the Van Allen radiation belt catches fire, the admiral must find a way to beat the heat or watch the world go up in smoke. Written by
The model and interior sets of the submarine cost producer Irwin Allen $400,000, so he was naturally quite keen to get some further use out of them. Since the film was a hit, he was able to convince ABC-TV to turn it into a series, which became the longest-running one he ever had. See more »
In most underwater scenes shot from within the nose of the sub, the water through which the sub is moving is calm. But in some underwater shots - diving to the ocean floor to tap the telephone cable, when they first learn they're being pursued by the UN sub - the water is foaming as the sub passes through it. Also, when the Admiral and Captain Crane go below to greet Dr. Hiller and the others at the beginning, the underwater view is perfectly still, showing no indication of movement, even though the sub is underway at the time. See more »
Before Roddenberry's Star Trek, there was Allen's "Voyage to the Bottom of the Sea"
A solid piece of science fiction that's fairly dated, "Voyage to the Bottom of the Sea" was a film from the old school of exposition film making. Half docu-drama and half science-fiction, Allen's production makes an effort to mix the world of tomorrow, as it was perceived in the late 50s and early 60s, with then contemporary drama. The result is somewhat stilted, and immature in a very innocent sort of way, but worth a look if you need some vintage sci-fi on your screen.
The exposition of what Irwin Allen felt "the future" of scientific defense in the realm of the world's oceans feels like a Disney documentary. The drama almost seems as an afterthought to the technology being depicted (which I'm sure isn't too far off the mark), and doesn't really ever click in.
An egalitarian para-military that is the crew of the USOS Seaview, was no doubt an inspiration for the Star Trek franchise as it was first conceived, as were probably the scientific functions of a government vessel manned by what is ostensibly a crew serving aboard a vessel whose role is part defensive and part scientific. It is in this capacity that the story takes shape, and challenges sub and crew as the fate of mankind hangs in the balance.
Scientific loopholes abound: Ice floats (the breakup of an iceberg would not produce sinking chinks of ice), radiation doesn't catch fire (the Van Allen belt is speculated to be a result of USAF atmospheric nuclear tests in the 1950s), the most advanced attack subs today can not dive beyond 1300 feet, active sonar is rarely used, etc. etc. etc. But, if you can get by all that, and forgive some of the earlier film making stylings in this film, then it's worth a look.
It's not classic vintage sci-fi in the conventional sense, but one clearly sees how it influenced generations of sci-fi films to come afterwards, as well as spawning the eventual TV series that evolved from this film.
Give it a chance, but don't expect too much. If you're a younger viewer reading this review, then you'll probably get somewhat impatient with it. Even so, try to keep in mind the kind of film it is, and the time in which it was made.
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