The aristocratic Tony moves to London and hires the servant Hugo Barrett for all services at home. Barrett seems to be a loyal and competent employee, but Tony's girlfriend Susan does not ... See full summary »
Bo is a transexual prostitute in Brussels who left home after being abused by her father. She's now in an abusive relationship with a neighbor and suspected by the police in a series of ... See full summary »
Young girl spends her adolescence in an institution for minors, developing some masculine traits in her personality. In this hostile environment, she can only find some sympathy in a ... See full summary »
Ana Beatriz Nogueira,
Joaquin (Polo Ravales), an unassuming fisherman, is forced to confront his homosexuality when his sex-starved wife Cynthia (Althea Vega) returns from her overseas job eager to get pregnant.... See full summary »
Having failed to break into professional opera in his native Germany (where, as an usher in West Berlin's Deutsche Oper, he would serenade the staff after the 'real' performances were over)... See full summary »
A plea for reform of England's anti-sodomy statutes, this film pits Melville Farr, a married lawyer, against a blackmailer who has photos of Farr and a young gay man (who is being blackmailed and later commits suicide) in Farr's car. After the suicide, Farr tracks down other gay men being extorted for money by the same blackmailer. The well-educated police Detective Inspector Harris considers the sodomy law nothing more than an aid to blackmailers, and helps Farr in calling his blackmailer's bluff. The movie, far ahead of its time, ends with Farr and his wife coming to terms with his homosexuality after the public exposure he faces in the blackmailer's trial. Written by
Mike Mills <firstname.lastname@example.org>
The famous scene where Melville Farr (having been confronted by his wife about Barrett) finally admits to her that he "wanted him", was added at Dirk Bogarde's request and was partially written by him. Bogarde states in his autobiography that he felt the screenplay lacked credibility because it was too ambiguous and did not adequately explain Farr's involvement with Barrett, and skirted around the issue. See more »
When the taxi leaves to take the blackmailer back to base to count the loot, the next shot shows the watching policemen about to give chase, with the same taxi parked on the street behind them. See more »
Straightforward, non-sensationalized British film, an original from screenwriters Janet Green and John McCormick, has a ring of blackmailers taking advantage of the laws prohibiting homosexuality in England and threatening to 'out' certain parties if they don't pay up; after one victim commits suicide, a former friend--and married lawyer--decides to play detective and expose the blackmailers, at the risk of ruining his own career and marriage. Dirk Bogarde is excellent in the lead; his grimace of both humility and humiliation is rather touching, and very human. The victims are the usual lot (an actor, a hairdresser, etc.), but the film is exceptionally engrossing and well-made, neatly camouflaging its plea for tolerance under the guise of a suspense drama (and the denouement is nicely staged). Director Basil Dearden includes a few intentionally sardonic visuals, and he isn't afraid to knock down walls (though any male-to-male intimacy stays off-screen). Still, a watermark for gay cinema. *** from ****
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