In 1950s London racial hostility to Commonweath immigrants is openly paraded. A pregnant girl, initially assumed to be white, is murdered. As two detectives start to investigate, and ... See full summary »
A serial killer in London is murdering young women whom he meets through the personal columns of newspapers; he announces each of his murders to the police by sending them a cryptic poem. ... See full summary »
The great hypnotist Professor Montserrat has developed a technique for controlling the minds, and sharing the sensations, of his subjects. He and his wife Estelle test the technique on Mike... See full summary »
The aristocratic Tony moves to London and hires the servant Hugo Barrett for all services at home. Barrett seems to be a loyal and competent employee, but Tony's girlfriend Susan does not ... See full summary »
A brilliant young doctor grows away from his family and his community when his older brother convinces him to make his fortune as a Park Avenue doctor. He spends his time prescribing ... See full summary »
A plea for reform of England's anti-sodomy statutes, this film pits Melville Farr, a married lawyer, against a blackmailer who has photos of Farr and a young gay man (who is being blackmailed and later commits suicide) in Farr's car. After the suicide, Farr tracks down other gay men being extorted for money by the same blackmailer. The well-educated police Detective Inspector Harris considers the sodomy law nothing more than an aid to blackmailers, and helps Farr in calling his blackmailer's bluff. The movie, far ahead of its time, ends with Farr and his wife coming to terms with his homosexuality after the public exposure he faces in the blackmailer's trial. Written by
Mike Mills <email@example.com>
The word "queer" is used in two contexts in this movie. Firstly in "Queer Street" meaning to be in difficulties, particularly financial. Secondly in the whitewash daub on the garage door "FARR IS QUEER" meaning he is gay. See more »
When the taxi leaves to take the blackmailer back to base to count the loot, the next shot shows the watching policemen about to give chase, with the same taxi parked on the street behind them. See more »
Well it used to be witches. At least they don't burn you.
See more »
When first released in 1961 "Victim" was considered a bold comment on a then hushed-up subject. Looking at the film today, the work is still a forceful, frank account of British societal mores, firmly backed up by laws. While attitudes and behaviors have changed regarding alternative lifestyles, this drama powerfully documents conditions as they existed for many years in England. Sir Dirk Bogarde, one of Britain's most distinguished actors, adorns this presentation with his unique charismatic presence and skill. Ably supported by a strong cast, Bogarde subtly delineates a respected lawyer risking both his professional standing and his marriage by confronting hard-line blackmailers. A taut screenplay and tight direction enhance this thriller.
35 of 39 people found this review helpful.
Was this review helpful to you?