Ursus returns from war to find his fiancée, Attea, has been kidnapped by a mysterious sect which sacrifices virgins to its patron goddess. Ursus faces much treachery and is forced to ...
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A woman whose husband has been killed in WWII lives with her father-in-law in the desert. She cannot leave and go back to her family, because that would mean the end of hope that her husband, a heroic pilot, might return one day.
Khodzha Kuli Narliyev
Successful WWI pilot Luciano Serra has problems adjusting to an ordinary life in peace, so he leaves his family and becomes a pilot in America. In the 30s, his son in Italy wants also to ... See full summary »
Ursus returns from war to find his fiancée, Attea, has been kidnapped by a mysterious sect which sacrifices virgins to its patron goddess. Ursus faces much treachery and is forced to display much courage and strength as he and the blind girl Doreide embark upon a quest to retrieve Attea. Written by
Jeff Hole <firstname.lastname@example.org>
This is one of 4 films I will be watching during this Easter Epic marathon revolving around the titular muscle-bound hero (inspired by a character in QUO VADIS ). In the long run, this proved to be a tolerable outing (with a script co-written by Sergio Sollima) though it nearly shot itself in the foot immediately, with the silly quasi-Alpine chanting accompanying the opening credits (especially unwarranted in the wake of a massacre which had just occurred in the prologue moments before!). Ed Fury is a serviceable lead as these films go; also in the cast is a very young Soledad Miranda (though nearly 10 more years would have to pass before she rose to minor stardom in a handful of Jess Franco movies, which eventually developed into a cult following her tragic death soon after). The plot sees the hero returning from war only to discover that his intended (Moira Orfei) has been abducted; so, he sets out in search of her with a devoted but blind slave/shepherdess in tow (who, amazingly, regains her sight when she gets hit in the head by a bull in the arena!). Incidentally, the latter animal whom Ursus also fought in the aforementioned Hollywood epic milestone unaccountably beats Fury (or, more precisely, his stand-in) to a pulp before the latter can muster enough strength (or is that anger?) to overpower it! As it happens, Orfei is revealed to have turned cruel and evil in the interim, getting her just desserts in the end which, of course, leaves the hero free rein with the gushing shepherdess.
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