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Overview
User Rating:
Director:
Writer:
Jean-Luc Godard (screenplay)
Release Date:
6 September 1961 (France) more
Plot:
Angela,a striptease artist, wants to have a baby and tries to persuade her boyfriend Emile to go along with the idea... more | add synopsis
Awards:
2 wins & 1 nomination more
NewsDesk:
(2 articles)
Movie Poster of the Week: "Le feu follet"
(From The Auteurs. 8 October 2009, 9:15 PM, PDT)
PFA: Movie Love in the Sixties—Jean-Luc Godard
(From Twitch. 18 September 2008, 3:31 PM, PDT)
User Comments:
A Jean-Luc Godard musical-comedy more (23 total)
Cast
(Credited cast) | Jean-Claude Brialy | ... | Émile Récamier (as Brialy) |
| Anna Karina | ... | Angela (as Karina) |
| Jean-Paul Belmondo | ... | Alfred Lubitsch (as Belmondo) |
Additional Details
Also Known As:
A Woman Is a Woman (USA)
La donna è donna (Italy)
more
Parents Guide:
Runtime:
Argentina:85 min | USA:84 min
Language:
Color:
Color (Eastmancolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Finland:K-16 (cut) | UK:PG | Portugal:M/12 | Argentina:16 | Netherlands:16 | Singapore:PG | Sweden:15 | Brazil:16 | West Germany:18 (nf)
Filming Locations:
Company:
Fun Stuff
Trivia:
Jean-Luc Godard's first film in color. more
Quotes:
Angela:
Would you rather have fish or meat for dinner?
[impatient]
Angela:
Emile!
Émile Récamier:
Fish.
Angela:
What would you have preferred if you were having meat?
Émile Récamier:
I dunno. Veal.
Angela:
And if you were to have beef rather than veal, would you prefer a steak or a roast?
Émile Récamier:
A steak.
Angela:
And had you answered roast, would you prefer it rare or well-done?
Émile Récamier:
Rare.
[...]
more
Movie Connections:
References Tirez sur le pianiste (1960) more
Soundtrack:
Chanson d'Angela more
FAQ
This FAQ is empty. Add the first question.more (23 total)
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This is a Jean-Luc Godard musical-comedy, which sounds like a contradiction in terms, a fact which he himself acknowledged. The wide-screen color cinematography by Raoul Coutard is amazing, and the experiments with color are lovely. Anna Karina is incredibly pretty and rather too self-consciously adorable; Jean-Claude Brialy is suavely understated, and Jean-Paul Belmondo is certainly exuberant. There's a lot to recommend, even if it's far from the most successful of early Godard films.