Colonel Ryder, the publisher of a magazine, dies while on vacation. Tony, his swinging nephew, inherits the magazine and takes over. Presently, the magazine is planning to expand and to do ... See full summary »
Montmartre, 1896: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless Simone has it performed every day in her night club. Her employees use their female... See full summary »
A housewife is doing her best to keep her family together as it's slowly falling apart, a fact she's trying to ignore. Her cheating husband's birthday party is approaching and many lines will be crossed after that event.
Harriet Blossom, the lonely wife of a workaholic brassiere manufacturer, breaks her sewing machine and ends up in bed with the repairman, a mechanic from one of her husband's factories. The... See full summary »
Jerry Ryan is wandering aimlessly around New York, having given up his law career in Nebraska when his wife asked for a divorce. He meets up with Gittel Mosca, an impoverished dancer from ... See full summary »
During the Cold War, John Goldfarb (Richard Crenna) crashes his spy plane in the Middle East and is taken prisoner by the local government. His captor, King Fawz (Peter Ustinov), soon ... See full summary »
J. Lee Thompson
A stranger in a Western cattle-town behaves with remarkable self-assurance, establishing himself as a man to be reckoned with. The reason appears with his stock: a herd of sheep, which he ... See full summary »
American Anna Vorontosov teaches in a rural school on New Zealand's North Island. Her class of younger students is comprised largely of Maoris. She feels that western methods are not the most appropriate in teaching her students, for who concepts such as "see Jane run" have no cultural context. She wants her students to "feel", from love to pain to joy, and as such her classes are outwardly disorganized and chaotic. Her livelihood is potentially threatened with the arrival of a new senior inspector of primary schools, a Brit name William Abercrombie. To make her classes seem more organized to Abercrombie, Anna enlists the help of one of the older students, fifteen year old Maori, Whareparita. Anna's students, including Whareparita, see her as their guardian angel. Anna's burgeoning friendship with Whareparita may show her that although she has her students' best interests at heart, she may also not fully understand the culture within which she now lives. Teaching is her life, which ... Written by
Shirley MacLaine wrote that she and Laurence Harvey did not like each other. She found him pompous and insensitive. Once right before the director shouted "action", Harvey leaned toward her, scrutinized her left cheek and asked "What on earth is that?" and acted as though she had a hickey the size of Mount Fuji. Just when she was about to ask for a mirror, Harvey said "Never mind, they'll never notice, it's not your face you should be concerned about". MacLaine did a slow burn and went on with the scene. The next day they were to film a love scene. Before it, MacLaine ate a clove of raw garlic. "That settled his hash", she wrote. See more »
Aloof and indifferently-made...but not altogether terrible
American schoolteacher on the North Island of New Zealand--unmarried and, indeed, untouched by any man--smokes and takes a nip of brandy once in awhile but cannot escape her Puritan attitudes towards sexual relations. Two men take a fancy to her: a reckless stud with suicidal tendencies and an older school district inspector estranged from his wife and children. Mercurial adaptation of Sylvia Ashton-Warner's novel "Spinster" features some very odd color schemes (from the emerald green landscapes to Shirley MacLaine's house of many colors), not to mention a peculiarly artificial schoolhouse filled with very emotional children. The melodrama on hand eventually proves too much for MacLaine, who dithers about eccentrically but is still unable to come up with an interesting characterization (this mainly the fault of screenwriter Ben Maddow, who treats virginity as an incurable disorder, physical as well as psychological). However, the material is just odd or offbeat enough to keep one watching, and the men (Laurence Harvey and Jack Hawkins) are both very good. ** from ****
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