A famous movie star's fan club secretary has been brutally murdered. She has in her office old newspaper clippings regarding a missing heiress. Did the secretary know something about the mystery of the heiress? David Janssen investigates.
Dancer George Raft (Ray Danton) finds himself involved with the criminal underworld. After a conflict with gangster boss Frank Donatella (Joe de Santis), he is exiled to Hollywoood, where ... See full summary »
Hollywood 1961. Famous movie star Leroy Dane's fan club secretary has been brutally murdered. In her possession are old newspaper clippings regarding a missing heiress. Tom Alder, who specializes in finding missing heirs, investigates. Did the secretary know something about the mystery of the heiress, who was last seen at sixteen at a malt shop near school? When Tom goes to check up on Leroy Dane at a restaurant, Tom sees his ex-fiancée Linda for the first time in many years. Linda's friend Nikki is also at the restaurant. With the help of Tom's friends - a colonel in Washington D.C. who has access to military records and a detective in New York who has people doing research and running down clues - Tom begins to unravel a complicated story that involves Linda, Nikki, Leroy Dane, and his own past. Twenty Plus Two is a 1961 whodunit film that came out of the Allied Artists studio, starring David Janssen, Dina Merrill and Jeanne Crain.
Even in film noir...especially in film noir...the characters and their relationships have to make some sort of twisted sense. So what do you do when your hero, an investigator who searches for missing heirs, meets a beautiful woman and doesn't recall that they were lovers a few years before? Just because she changed her name and her hairdo. You figure it's about as logical as his investigation into the brutal murder of a fan club secretary for which no one seems to have hired him. There are some nice touches in the film -- William Demarest is terrific as a boozy newspaperman, Agenes Moorehead nails a salty old dowager and Jacques Aubachon makes an elegantly talkative con artist. On the other hand, Janet Leigh is mostly window dressing and David Janssen spends too much of the movie muttering moodily.
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