A Rebel vet, O'Meara has refused to surrender when Lee does at Appomattox. O'Meara travels west and after escaping from, he joins the Sioux and takes a wife. After denouncing himself as an ... See full summary »
In 1872, Indian fighter Johnny MacKay is appointed peace commissioner for the California and Oregon territory but he faces tough opposition from the renegade Modocs led by their brutal chief Captain Jack.
Outlaw Clint Hollister escapes from jail with the help of Marshal Jake Wade, because once Clint did the same for him. Jake left Clint just after, but Clint finds him back and forces Jake to... See full summary »
Having eluded a posse, a wanted man rescues a woman and her young son from a Comanche attack. He then escorts them to the presumed safety of a U.S. Cavalry fort. Trouble develops along the ... See full summary »
Captain Maddocks will never be promoted beyond Captain because of a mistake that he made in the past. Lt. McQuade is a green rookie who is now under the command of the tough Captain and he does not seem to be able to do anything right. Lt. McQuade also has trouble with Tracey, but it will be the renegade Indians that will test him and teach him the importance of following orders. Written by
Tony Fontana <firstname.lastname@example.org>
The film recorded a loss of $42,000, according to MGM records. See more »
On the night before the final battle: around the campfire, bottom right, ribbed shoe-prints are clearly visible in the dust. They were obviously made by modern footwear with synthetic soles. See more »
Has anyone noticed that almost every World War II movie had a triangle of two service men competing for the affection of one girl, with the world at war playing a minor role, usually to showcase the courage and nobility of our boys at war? Hollywood trotted out this formula once again for this movie, ruining an otherwise fine tale of soldiers on a far frontier battling a clever and determined enemy in a nasty little war, with no quarter asked or given. In the 60's there was no way a book was going to be brought faithfully to the screen. It had to be dumbed down, it had to devote an inordinate amount of time on the love interest, it had to be the equivilant of a "G" rating. A Thunder of Drums was an ass-kicking book, which failed as a film because although it managed to depart from romantic notions of war, still was unable to conceive of a story lacking romance. Even relatively recently, The Last of the Mohicans managed to have our frontiersman hero and a British officer competing for the affections of a girl. I am not saying there is no place for romance, but I am suggesting that some films would be better off without it, like A Thunder of Drums.
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