| Susan Strasberg | ... | Penny Appleby | |
| Ronald Lewis | ... | Robert | |
| Ann Todd | ... | Jane Appleby | |
| Christopher Lee | ... | Doctor Pierre Gerrard | |
| John Serret | ... | Inspector Legrand | |
| Leonard Sachs | ... | Mr. Spratt | |
| Anne Blake | ... | Marie the Maid | |
| Fred Johnson | ... | Father | |
| rest of cast listed alphabetically: | |||
| Heinz Bernard | ... | Plainclothes Officer (uncredited) | |
| Bernard Browne | ... | Gendarme (uncredited) | |
| Rodney Burke | ... | Policeman (uncredited) | |
| Brian Jackson | ... | Plainclothes Officer (uncredited) | |
| Richard Klee | ... | Plainclothes Sergeant (uncredited) | |
| Madame Lobegue | ... | Swiss Air Hostess (uncredited) | |
| Frederick Rawlings | ... | Plainclothes Sergeant (uncredited) | |
| Frederick Schrecker | ... | Plainclothes Officer (uncredited) | |
| Gordon Sterne | ... | Policeman (uncredited) | |
Directed by | |||
| Seth Holt | |||
Writing credits | ||
| Jimmy Sangster | (written by) | |
Produced by | |||
| Michael Carreras | .... | executive producer | |
| Jimmy Sangster | .... | producer | |
Original Music by | |||
| Clifton Parker | |||
Cinematography by | |||
| Douglas Slocombe | (director of photography) | ||
Film Editing by | |||
| Eric Boyd-Perkins | |||
Production Design by | |||
| Bernard Robinson | |||
Art Direction by | |||
| Thomas Goswell | (uncredited) | ||
Makeup Department | |||
| Eileen Bates | .... | hair stylist | |
| Basil Newall | .... | make-up artist | |
Production Management | |||
| William Hill | .... | production manager (as Bill Hill) | |
Second Unit Director or Assistant Director | |||
| David Tomblin | .... | assistant director | |
| Terry Lens | .... | second assistant director (uncredited) | |
Art Department | |||
| Bill Constable | .... | assistant art director (uncredited) | |
Sound Department | |||
| Jim Groom | .... | sound editor (as James Groom) | |
| Leslie Hammond | .... | sound recordist | |
| Teddy Mason | .... | sound recordist (as E. Mason) | |
| Len Shilton | .... | sound recordist | |
Special Effects by | |||
| Les Bowie | .... | special effects (uncredited) | |
| Ian Scoones | .... | special effects assistant (uncredited) | |
Camera and Electrical Department | |||
| Desmond Davis | .... | camera operator | |
| Len Harris | .... | camera: second unit (uncredited) | |
| George Higgins | .... | still photographer (uncredited) | |
| John Jordan | .... | underwater camera operator (uncredited) | |
| Harry Oakes | .... | camera: second unit (uncredited) | |
| Egil S. Woxholt | .... | underwater camera operator (uncredited) | |
Casting Department | |||
| Stuart Lyons | .... | casting | |
Costume and Wardrobe Department | |||
| Dora Lloyd | .... | wardrobe mistress | |
Editorial Department | |||
| James Needs | .... | supervising editor | |
| John Crome | .... | assistant editor (uncredited) | |
Music Department | |||
| John Hollingsworth | .... | musical supervisor | |
Other crew | |||
| Pamela Mann | .... | continuity | |
| Colin Reid | .... | unit publicist (uncredited) | |
| Dennison Thornton | .... | publicity director (uncredited) | |
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| Diabolique | The Interpreter | Rebecca | So Sweet, So Dead | The Legacy |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
God bless the internet and god bless DVD. The reason I say that is because once hidden gems like this film are now being discovered by a bigger audience. Taste Of Fear (AKA:Scream Of Fear) is produced out of that bastion of British horror, Hammer Films, it's directed by Seth Holt (The Nanny), written by Jimmy Sangster (X:The Unknown/The Curse Of Frankenstein) and stars Susan Strasberg, Ronald Lewis, Ann Todd & that cornerstone of Hammer Horror, Christopher Lee.
Shot in moody black & white by Holt and cinematographer Douglas Slocombe, and eerily scored by Clifton Parker, the story sees a young paralysed woman return to her family home in France to visit her father who she hasn't seen for years; and to finally meet her new step-mother. Upon arrival she is informed that her father has had to go away on business, which becomes a problem as she starts to see his dead body, first in the summer house, then in the lounge! The mind can play tricks, especially to the traumatised, but she's convinced that what she is seeing is real. Even the family doctor (Lee in a suitably suspicious role) thinks there are mental issues here. Undaunted she enlists the help of friendly chauffeur Bob and sets about unravelling either her mind, or the mystery that lurks at the Appleby home.
The film opens with an attention grabbing sequence as police drag a lake for a body, from there on the film becomes essentially a four character piece. Now it's been said in some quarters that this structure telegraphs where the film is going to end up. There's a tiny bit of truth in that but there are at least three twisty kickers here to steer this far away from charges of predictability. In fact the finale has a double whammy that is most rewarding. The whole film pulses with atmosphere and is cloaked in shadows and low tone conversations. The sound work here is also top quality, the constant jabber of the crickets gnaw away at the ears, while the swish of the nearby sea instills a calm that ultimately sets up a false sense of security. The acting is on the money too, be it Strasberg perfectly conveying a multitude of emotions from her wheelchair, or Todd doing a nice line in the "too good to be true?" wholesome step-mom routine. All parties ensure that the story is built up right and that the pay off provides maximum impact.
Christopher Lee once said that this was one of the best Hammer Horror film's he was ever involved with, that's a fine selling point to be sure. A different kind of Hammer Horror, one that drips with dread and thrives on its mystery elements. Taste Of Fear is highly recommended to genre fans who prefer psychological chillers over blood letting and overkilled boo jump movies. 8/10