6 items from 2014
You know the hair. The glasses. The voice. The sheer talent. Richard Ayoade spoke to HeyUGuys about The Double, which is out now on DVD and Blu Ray. Other subjects included The It Crowd, a new book, Ingmar Bergman, and trying not to bore audiences.
I’d like to start by going back a little bit to your first feature, which was obviously Submarine. I think for many people, they didn’t realise that a comedy actor was also going to be a great director. So I was wondering, did you feel that was a liberating experience?
Erm, I don’t know. I’d directed TV before – I directed a show called Garth Marenghi’s Darkplace, and music videos and things, so the main thing at the time [was I] felt the writing of something that was much longer than anything I’d done, and the structure of doing a film that has ninety minutes to it. »
- Gary Green
If there is an essential problem that all art must confront, it is the vast and uncrossable gulf between individual human experience. All expression is flawed in that it can never express completely, because no point of view is perfectly able to be communicated between two beings. Something must always get lost in the shuffle. All communication (and art is, at its core, communication, even if the private artist communicates only with themselves) is approximation with a goal not of internalization but of baseline comprehension. It is in this problem that we find our own inescapable loneliness, a burden that, to live, must either be embraced completely or totally ignored; when we reach out to touch others, we must do so with the knowledge or ignorance that all connection is imperfect, and that even the most complete moments of connection are simply echoes of our own perspectives, not bridges between distant islands. »
The next Austin Film Society Essential Cinema Series, "Liv and Ingmar," will run on Thursdays at 7:30 pm from July 3-31 at the Marchesa. The following column from programmer Chale Nafus provides some context for the films.
Marlene Dietrich and Josef von Sternberg, John Wayne and John Ford, Ingrid Bergman and Roberto Rossellini, Robert DeNiro and Martin Scorsese, Ethan Hawke and Richard Linklater. Throughout film history there have been directors who frequently work with one particular actor through whom they can realize their cinematic dreams. Familiarity with an actor's face, body, voice, mannerisms and psychological depths can provide a director a preview of how a movie might look and sound even before the cameras roll.
Such was the 12-year relationship between Norwegian actress Liv Ullmann and Swedish writer/director Ingmar Bergman. Together they made eight feature films and one television miniseries, beginning with Persona (1966) and ending with Autumn Sonata (1978). They »
- Chale Nafus
‘Star Wars: Episode VII’ cast announced (photo: ‘Star Wars: Episode VII’ cast member Max von Sydow in ‘Extremely Loud & Incredibly Close’) Star Wars: Episode VII cast members have been announced. The world had been waiting with bated breath. Who will The Force be with? Well, not with humankind and its fellow Earth dwellers (apart from cockroaches and various types of worms) — if news reports about the eventual fate of the planet are accurate. But don’t despair. The End credits for Planet Earth should come after Lucasfilm and Walt Disney Studios (instead of former Star Wars film distributor 20th Century Fox) amass a few more billion dollars following the release of a whole array of new Star Wars sequels in the coming years. So, the announced (mostly European) Star Wars: Episode VII cast members are, to date, the following: Oscar Isaac (Sucker Punch, widely praised for his performance in Joel »
- Zac Gille
You can forget the pulpy throes of the dark hearted Prisoners, the recently released collaboration of Jake Gyllenhaal and director Denis Villeneuve, when you sit down for their latest release, Enemy (which was actually filmed first). In the fine tradition of doppelganger cinema, this is certainly a spectacular standout. And if any evidence is needed to point to Villeneuve as a director at the top of his game, look no further. Certain to confuse, perplex, and even irritate, it’s a beautiful, nightmarishly warped universe ripe for multiple readings and psychological explanations concerning hidden desires and oppositions.
A history professor at a Toronto university, Adam Bell (Gyllenhaal), seems to be living a lackluster existence, his life a series of repetitive instances mired in work and an unenthusiastic relationship with his girlfriend (Melanie Laurent). A co-worker recommends that Adam see »
- Nicholas Bell
Skylight, which will preview at the Wyndham's theatre in June, will also mark a double return for Bill Nighy. Not only will it be his first London stage appearance in 13 years, since Joe Penhall's Blue/Orange, it is also another shot at a part he played in 1997, when he inherited the role of Tom Sergeant from Michael Gambon in Skylight's first West End run.
In Hare's play, Tom, a whizzy, newly widowed restaurateur, pitches up at the flat of his younger ex-lover Kyra Hollis – who will be played by Mulligan – with a view to rekindling a relationship.
Mulligan is already a well-regarded stage performer, having turned in an acclaimed »
- Bill Nighy, Matt Trueman
6 items from 2014
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