| Photos (See all 29 | slideshow) |
| Natalie Wood | ... | Wilma Dean Loomis | |
| Pat Hingle | ... | Ace Stamper | |
| Audrey Christie | ... | Mrs. Loomis | |
| Barbara Loden | ... | Ginny Stamper | |
| Zohra Lampert | ... | Angelina | |
| Warren Beatty | ... | Bud Stamper | |
| Fred Stewart | ... | Del Loomis | |
| Joanna Roos | ... | Mrs. Stamper | |
| John McGovern | ... | Doc Smiley | |
| Jan Norris | ... | Juanita Howard | |
| Martine Bartlett | ... | Miss Metcalf | |
| Gary Lockwood | ... | Allen 'Toots' Tuttle | |
| Sandy Dennis | ... | Kay | |
| Crystal Field | ... | Hazel | |
| Marla Adams | ... | June | |
| Lynn Loring | ... | Carolyn | |
| Phyllis Diller | ... | Texas Guinan | |
| Sean Garrison | ... | Glenn | |
| rest of cast listed alphabetically: | |||
| Jim Antonio | ... | Oil Field Worker at Party (uncredited) | |
| Lou Antonio | ... | Oil Field Worker at Party (uncredited) | |
| Godfrey Cambridge | ... | Chauffeur (uncredited) | |
| Carlos Cortés | ... | Minor Role (uncredited) | |
| Robert Downing | ... | Minor Role (uncredited) | |
| Andrew Duggan | ... | Trailer Narrator (voice) (uncredited) | |
| Ivor Francis | ... | Dr. Judd (uncredited) | |
| Hoke Howell | ... | Minor Role (uncredited) | |
| William Inge | ... | Reverend Whitman (uncredited) | |
| Phoebe Mackay | ... | Stamper's Maid (uncredited) | |
| Charles Matthews | ... | Minor Role (uncredited) | |
| Charles Robinson | ... | Johnny Masterson (uncredited) | |
| Eugene Roche | ... | Private Detective (uncredited) | |
| Mark Slade | ... | Rusty (uncredited) | |
Directed by | |||
| Elia Kazan | |||
Writing credits | ||
| William Inge | (written by) | |
Produced by | |||
| William Inge | .... | associate producer | |
| Charles H. Maguire | .... | associate producer | |
| Elia Kazan | .... | producer (uncredited) | |
Original Music by | |||
| David Amram | |||
Cinematography by | |||
| Boris Kaufman | (director of photography) | ||
Film Editing by | |||
| Gene Milford | (film editor) | ||
Production Design by | |||
| Richard Sylbert | |||
Set Decoration by | |||
| Gene Callahan | |||
Costume Design by | |||
| Anna Hill Johnstone | |||
Makeup Department | |||
| Willis Hanchett | .... | hairdresser | |
| Robert Jiras | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Don Kranze | .... | assistant director | |
| Ulu Grosbard | .... | assistant director (uncredited) | |
Sound Department | |||
| Edward J. Johnstone | .... | sound (as Edward Johnstone) | |
| Frank Lewin | .... | sound editor | |
| Dick Vorisek | .... | sound (as Richard Vorisek) | |
| James Perdue | .... | sound (uncredited) | |
Camera and Electrical Department | |||
| Frank J. Calabria | .... | additional photographer (uncredited) | |
| Howard Fortune | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| George Newman | .... | wardrobe | |
| Flo Transfield | .... | wardrobe (as Florence Transfield) | |
| Joan Joseff | .... | costume jeweller (uncredited) | |
Music Department | |||
| David Amram | .... | conductor | |
Other crew | |||
| Marguerite James | .... | script & continuity | |
| George Tapps | .... | choreographer | |
| Mart Crowley | .... | production assistant (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This is a most beautiful film in all senses ; picture quality and colors which they don't seem capable of making any more in spite of all the modern technology, beautiful scenery, and above all two beautiful actors. I also loved the clothes Nathalie Wood wore during the film. Pat Hingle plays a character almost unbelievable today. Although this " frustrated love " is sad and brings tears to my eyes, I still cannot help watching the film quite regularly even though I know the end will leave me frustrated. There is a lot if implied rather than visible passion in this film ( its French title is - " la fièvre dans le sang " or fever in the blood ). This hidden, repressed passion is more gripping than if we had seen the couple simply lie down and get on with it !! But perhaps the passion is a little too stifled and a few short scences with more passionate physical contact might have satisfied the spectator ! But that's a very subjective matter. But I end as I started by reiterating the total beauty of the film at all levels.