IMDb > Splendor in the Grass (1961)
Splendor in the Grass
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Splendor in the Grass (1961) More at IMDbPro »

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Overview

User Rating:
7.8/10   11,142 votes »
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Up 22% in popularity this week. See why on IMDbPro.
Director:
Writer:
William Inge (written by)
Contact:
View company contact information for Splendor in the Grass on IMDbPro.
Release Date:
10 October 1961 (USA) See more »
Genre:
Tagline:
A LOVE STORY UNLIKE ANY OTHERS !! See more »
Plot:
A fragile Kansas girl's unrequited and forbidden love for a handsome young man from the town's most powerful family drives her to heartbreak and madness. Full summary » | Add synopsis »
Awards:
Won Oscar. Another 2 wins & 6 nominations See more »
User Reviews:
RE: Splendor in the Grass (1961) See more (105 total) »

Cast

  (in credits order) (verified as complete)

Natalie Wood ... Wilma Dean Loomis

Pat Hingle ... Ace Stamper
Audrey Christie ... Mrs. Loomis
Barbara Loden ... Ginny Stamper
Zohra Lampert ... Angelina

Warren Beatty ... Bud Stamper
Fred Stewart ... Del Loomis
Joanna Roos ... Mrs. Stamper
John McGovern ... Doc Smiley
Jan Norris ... Juanita Howard
Martine Bartlett ... Miss Metcalf

Gary Lockwood ... Allen 'Toots' Tuttle

Sandy Dennis ... Kay
Crystal Field ... Hazel
Marla Adams ... June
Lynn Loring ... Carolyn

Phyllis Diller ... Texas Guinan
Sean Garrison ... Glenn
rest of cast listed alphabetically:
Jim Antonio ... Oil Field Worker at Party (uncredited)
Lou Antonio ... Oil Field Worker at Party (uncredited)
Buster Bailey ... Musician (uncredited)
Godfrey Cambridge ... Chauffeur (uncredited)
Carlos Cortés ... Minor Role (uncredited)
Robert Downing ... Minor Role (uncredited)

Andrew Duggan ... Trailer Narrator (voice) (uncredited)
Ivor Francis ... Dr. Judd (uncredited)

Hoke Howell ... Minor Role (uncredited)
William Inge ... Reverend Whitman (uncredited)
Phoebe Mackay ... Stamper's Maid (uncredited)
Charles Matthews ... Minor Role (uncredited)
Charles Robinson ... Johnny Masterson (uncredited)

Eugene Roche ... Private Detective (uncredited)

Mark Slade ... Rusty (uncredited)
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Directed by
Elia Kazan 
 
Writing credits
William Inge (written by)

Produced by
William Inge .... associate producer
Charles H. Maguire .... associate producer
Elia Kazan .... producer (uncredited)
 
Original Music by
David Amram 
 
Cinematography by
Boris Kaufman (director of photography)
 
Film Editing by
Gene Milford (film editor)
 
Production Design by
Richard Sylbert 
 
Set Decoration by
Gene Callahan 
 
Costume Design by
Anna Hill Johnstone 
 
Makeup Department
Willis Hanchett .... hairdresser
Robert Jiras .... makeup artist
 
Second Unit Director or Assistant Director
Don Kranze .... assistant director
Ulu Grosbard .... assistant director (uncredited)
 
Sound Department
Edward J. Johnstone .... sound (as Edward Johnstone)
Frank Lewin .... sound editor
Dick Vorisek .... sound (as Richard Vorisek)
James Perdue .... sound (uncredited)
 
Camera and Electrical Department
Frank J. Calabria .... additional photographer (uncredited)
Howard Fortune .... electrician (uncredited)
 
Costume and Wardrobe Department
George Newman .... wardrobe
Flo Transfield .... wardrobe (as Florence Transfield)
Joan Joseff .... costume jeweller (uncredited)
 
Music Department
David Amram .... conductor
 
Other crew
Marguerite James .... script & continuity
George Tapps .... choreographer
Mart Crowley .... production assistant (uncredited)
 
Crew verified as complete


Production CompaniesDistributors
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Additional Details

Also Known As:
Runtime:
124 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Mono (RCA Sound System)
Certification:

Did You Know?

Trivia:
Dennis Hopper was considered for the role of Bud Stamper.See more »
Goofs:
Continuity: At the film's climax, when Hazel asks Deanie if she still loves Bud, you can see to the right of the frame that Deanie is wearing her hat. However, when it cuts immediately to a close-up of Deanie, she is not wearing the hat.See more »
Quotes:
[first lines]
Wilma Dean:Bud...
Bud:Deanie, please...
Wilma Dean:Bud, I'm afraid. Oh, Bud... don't, Bud.
Bud:Deanie...
Wilma Dean:No... we mustn't, Bud... no... no...
[he gets out of the car]
Wilma Dean:Bud, don't be mad.
Bud:I better take you home.
See more »
Movie Connections:
Referenced in The Fisher King (1991)See more »
Soundtrack:
Love ThemeSee more »

FAQ

What is 'Splendor in the Grass' about?
Is 'Splendor in the Grass' based on a book?
How does the movie end?
See more »
4 out of 4 people found the following review useful.
RE: Splendor in the Grass (1961), 15 October 2005
Author: ItsMe-baby from Toronto, Canada

The movie "Splendor in the Grass (1961)," is one of the best movies I have seen so far. I am a male in my early thirties and the film has touched me in such a way that I have never been touched by an old movie before. Even though I have not lived in that time era the film portrays. However, I have seen many old films that are from the "older" version, and I have yet to see a film that projects human feeling as much as this film has done it for me.

Genuine love between two youngsters who have yet to experience the world's bad side, a side that affects plenty of flowers from blossoming; went astray. Discrimination on the basis of wealth is the main cause for Deanie's bad end, which is no different than other forms of discrimination that Bud's family put on the not-so well to do young lady, Deannie. It is unfortunate that Bud ended up having a "normal" traditional life that rich and well to do young ladies longed for at the time. The character played as Deanie longed for basic love from Bud to which he was unable to deliver due to his family's constant intervention on his son's personal life; it is his father that denied him pleasure of having 'happiness' with his high school sweetheart. Happiness, which he would have preferred over controlling his family's business could bring him.

Unfortunately, not all people have the same lens of view of seeing life from different angle. In the opinion of the writer of this comment, wealth is not only gained from money, wealth is gained from all the riches of satisfying life, life that is fulfilled with little achievements. In this particular film, the young man's family translated wealth as a source of pride and happiness. Despite, in the eye of a capitalist's vision of happiness, his father did what he thought was best for his son. After all, who wouldn't wish the best for his or her child? It was also sad to see Deannies' father unable to do anything to counter the rejection of his daughter, except resent his inablity to supply his family with the riches other men do.

The writer/director played Deanie's character in a very exposed emotion laid for the audience to smash it open and be ashamed of it to its end. I was close to tears at times, especially at the end when she discovered that her Bud was married with a toddler and pregnant wife. It made his new wife cry with envy, as to who he gave up to be with her. It is visible to see from Deanie's eyes the disappointments, it just reminds me of my other favorite movie seen, "Carlito's Way," the character played by Al Pacino, when he was attempting to convince his love interest played as "Gail." In that seen, he meets her at a place of her work and very disturbed by what she does for living, strip joint dancer. He tries to hide his feeling of disappointment, but she learns his judgment when her fans came to express their joy for having to see her dance. Right at that moment, when she mentioned something he has been dodging to avoid, his eyes tell it all. In my view the seen captured is by far the best of all movies I have seen capturing the emotional disappointment visually being captured. "Splendor In The Grass," has captured that sort of emotion from a female perspective, the writer/director added dignity to the expression of disappointment. That was heartbreaking to have to witness such devastating reality Deanie has to swallow. Her eyes tell it all, as they were hungry to see her own life find that very end, an end she would have been very pleased to see.

It teaches the audience that time is a river, unlike a lake (pond) it travels, Bud did what was normal for him to do, find another girl and fall in love with. It also shows that no two loves are equal, the love Deanie and Bud had for each other was not at equilibrium. If it was, he would have married her after discovering of his father's death. At the end when she came out of her madness to remember him as he was, while he has forgotten all about her and moved on. I find the film very soothing to the soul, and took me back to reminisce my own past life.

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