Splendor in the Grass (1961)

A fragile Kansas girl's unrequited and forbidden love for a handsome young man from the town's most powerful family drives her to heartbreak and madness.

Director:

Elia Kazan

Writer:

William Inge

Stars:

Natalie Wood, Pat Hingle, Audrey Christie

Won 1 Oscar. Another 2 wins & 6 nominations.

Cast

Cast overview, first billed only:
Natalie Wood	...	Wilma Dean Loomis
Pat Hingle	...	Ace Stamper
Audrey Christie	...	Mrs. Loomis
Barbara Loden	...	Ginny Stamper
Zohra Lampert	...	Angelina
Warren Beatty	...	Bud Stamper
Fred Stewart	...	Del Loomis
Joanna Roos	...	Mrs. Stamper
John McGovern	...	Doc Smiley
Jan Norris	...	Juanita Howard
Martine Bartlett	...	Miss Metcalf
Gary Lockwood	...	Allen 'Toots' Tuttle
Sandy Dennis	...	Kay
Crystal Field	...	Hazel
Marla Adams	...	June

Storyline

It's 1928 in oil rich southeast Kansas. High school seniors Bud Stamper and Deanie Loomis are in love with each other. Bud, the popular football captain, and Deanie, the sensitive soul, are "good" kids who have only gone as far as kissing. Unspoken to each other, they expect to get married to each other one day. But both face pressures within the relationship, Bud who has the urges to go farther despite knowing in his heart that if they do that Deanie will end up with a reputation like his own sister, Ginny Stamper, known as the loose, immoral party girl, and Deanie who will do anything to hold onto Bud regardless of the consequences. They also face pressures from their parents who have their own expectation for their offspring. Bud's overbearing father, Ace Stamper, the local oil baron, does not believe Bud can do wrong and expects him to go to Yale after graduation, which does not fit within Bud's own expectations for himself. And the money and image conscious Mrs. Loomis just wants...

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Plot Keywords:

kansas | love | high school | forbidden love | stock market crash | 

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Taglines:

It's unrelenting moments, Its tragedies and splendors!

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Genres:

Drama | Romance

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

10 October 1961 (USA)

Also Known As:

Feber i blodet

Filming Locations:

4144 Victory Boulevard, Staten Island, New York City, New York, USA

Company Credits

Production Co:

Warner Bros, Newton Productions, NBI Productions

Technical Specs

Runtime:

124 min

Sound Mix:

Mono (RCA Sound System)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The film's title comes from the poem, "Ode: Intimations of Immortality" by William Wordsworth: "Though nothing can bring back the hour of splendour in the grass, / of glory in the flower, / we will grieve not, / rather find strength in what remains behind."

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Goofs

At the film's climax, when Hazel asks Deanie if she still loves Bud, you can see to the right of the frame that Deanie is wearing her hat. However, when it cuts immediately to a close-up of Deanie, she is not wearing the hat.

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Quotes

[first lines]
Wilma Dean: Bud...
Bud: Deanie, please...
Wilma Dean: Bud, I'm afraid. Oh, Bud... don't, Bud.
Bud: Deanie...
Wilma Dean: No... we mustn't, Bud... no... no...
[he gets out of the car]
Wilma Dean: Bud, don't be mad.
Bud: I better take you home.

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Crazy Credits

and introducing Warren Beatty

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Connections

Referenced in From the Journals of Jean Seberg (1995)

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Soundtracks

"Chopsticks"
(1877) (uncredited)
Music by Euphemia Allen
Played on piano by Natalie Wood and Warren Beatty

User Reviews

Splendor all around!

This is a beautiful and powerful film - flawlessly acted, directed and written. It is easily the best of the sexual awakening movies that were so popular in the late fifties, early sixties. And why wouldn't it be - with Kazan at the helm and an original screenplay by William Inge.

The film begins with a similar theme to "Rebel Without a Cause" - that is why won't parents treat their children like human beings and really help them come to terms with becoming adults? But halfway through Inge does a clever turn-around and allows the kids to discover that their parents are human beings too, with all the weaknesses and frailties that go with being human. At the same time Inge portrays the coming of age of America as the joy of the roaring twenties moves into the gloom of the Depression.

The story is about how prejudice and blind morality destroys a great love - sex shouldn't be such a huge issue between two people who love each other, but the enormous pressures from outside to either do it or refrain from doing it cause confusion, pain and hurt. Who will ever forget Natalie Wood leaping naked from a bath screaming at her mother that she is not "spoiled"? Wood gives the performance of her life here, convincingly portraying adolescent love, a nervous breakdown, and the blossoming into woman-hood. Beatty too is splendid as the confused Bud. And both are so achingly beautiful!

The supporting cast is superb down to the smallest role. Barbara Loden is particularly memorable as Beatty's wild flapper sister, but Pat Hingle as his father, and Audrey Christie and Fred Stewart as Wood's parents are also unforgettable.

This is a resonant film that I believe will be more and more appreciated with the passing of time.