7.8/10
14,688
121 user 44 critic

Splendor in the Grass (1961)

Unrated | | Drama, Romance | 17 November 1961 (Japan)
A fragile Kansas girl's love for a handsome young man from the town's most powerful family drives her to heartbreak and madness.

Director:

Writer:

Reviews

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From $2.00 (SD) on Amazon Video

ON DISC
Won 1 Oscar. Another 2 wins & 7 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Ace Stamper
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Del Loomis
Joanna Roos ...
Mrs. Stamper
John McGovern ...
Doc Smiley
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Allen 'Toots' Tuttle
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Kay
Crystal Field ...
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Storyline

It's 1928 in oil rich southeast Kansas. High school seniors Bud Stamper and Deanie Loomis are in love with each other. Bud, the popular football captain, and Deanie, the sensitive soul, are "good" kids who have only gone as far as kissing. Unspoken to each other, they expect to get married to each other one day. But both face pressures within the relationship, Bud who has the urges to go farther despite knowing in his heart that if they do that Deanie will end up with a reputation like his own sister, Ginny Stamper, known as the loose, immoral party girl, and Deanie who will do anything to hold onto Bud regardless of the consequences. They also face pressures from their parents who have their own expectation for their offspring. Bud's overbearing father, Ace Stamper, the local oil baron, does not believe Bud can do wrong and expects him to go to Yale after graduation, which does not fit within Bud's own expectations for himself. And the money and image conscious Mrs. Loomis just wants... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

There is a miracle in being young...and a fear. See more »

Genres:

Drama | Romance

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

17 November 1961 (Japan)  »

Also Known As:

Esplendor en la hierba  »

Box Office

Gross:

$8,720,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The nightclub owner played by Phyllis Diller is Texas Guinan, a real-life New York nightclub owner of the 1920's. "Hello, suckers!" was her standard nightly greeting to her nightclub patrons. See more »

Goofs

The scene with the camera panning across the dinner table shows Iris and Herringbone footed tumblers in the iridescent finish. Jeanette Glass Company did not make the iridescent finish until the 1950s. During the 30s only the Crystal (clear) style was available. See more »

Quotes

[first lines]
Wilma Dean: Bud...
Bud: Deanie, please...
Wilma Dean: Bud, I'm afraid. Oh, Bud... don't, Bud.
Bud: Deanie...
Wilma Dean: No... we mustn't, Bud... no... no...
[he gets out of the car]
Wilma Dean: Bud, don't be mad.
Bud: I better take you home.
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Crazy Credits

and introducing Warren Beatty See more »

Connections

Featured in Stars of the Silver Screen: Natalie Wood (2014) See more »

Soundtracks

Auld Lang Syne
(1788) (uncredited)
Traditional Scottish music
Lyrics by Robert Burns
Sung on New Year's Eve
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Technically and emotionally beautiful
17 March 2001 | by (Ile-de-France / Paris Region, France) – See all my reviews

This is a most beautiful film in all senses ; picture quality and colors which they don't seem capable of making any more in spite of all the modern technology, beautiful scenery, and above all two beautiful actors. I also loved the clothes Nathalie Wood wore during the film. Pat Hingle plays a character almost unbelievable today. Although this " frustrated love " is sad and brings tears to my eyes, I still cannot help watching the film quite regularly even though I know the end will leave me frustrated. There is a lot if implied rather than visible passion in this film ( its French title is - " la fièvre dans le sang " or fever in the blood ). This hidden, repressed passion is more gripping than if we had seen the couple simply lie down and get on with it !! But perhaps the passion is a little too stifled and a few short scences with more passionate physical contact might have satisfied the spectator ! But that's a very subjective matter. But I end as I started by reiterating the total beauty of the film at all levels.


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